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Cinematic fictions : [the impact of the cinema on the American novel up to the second World War] /

This study examines American cinematic classics and also looks at some lesser-known figures such as Karl Van Vechten and Tom Kromer. The phrase cinematic fiction has now been generally accepted into critical discourse, but is usually applied to post-war novels. The book asks a simple question: given...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Seed, David
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Liverpool : Liverpool University Press, 2009.
Temas:
Acceso en línea:Texto completo

MARC

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020 |a 9781846315190  |q (electronic bk.) 
020 |a 1846315190  |q (electronic bk.) 
020 |z 9781846312120  |q (hardback) 
020 |z 1846312124  |q (hardback) 
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049 |a UAMI 
100 1 |a Seed, David. 
245 1 0 |a Cinematic fictions :  |b [the impact of the cinema on the American novel up to the second World War] /  |c David Seed. 
260 |a Liverpool :  |b Liverpool University Press,  |c 2009. 
300 |a 1 online resource (318 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
520 8 |a This study examines American cinematic classics and also looks at some lesser-known figures such as Karl Van Vechten and Tom Kromer. The phrase cinematic fiction has now been generally accepted into critical discourse, but is usually applied to post-war novels. The book asks a simple question: given their fascination with the new medium of film, did American novelists attempt to apply cinematic methods in their own writings? 
588 0 |a Print version record. 
505 0 |a Beginnings -- Modernist experiments : Gertrude Stein and others -- H.D. and the limits of vision -- Ernest Hemingway : the observer's visual field -- Success and stardom in F. Scott Fitzgerald -- William Faulkner : perspective experiments -- John Dos Passos and the art of montage -- Dreiser, Eisenstein and Upton Sinclair -- Documentary of the 1930s -- John Steinbeck : extensions of documentary -- Taking possession of the Images : African American writers and the cinema -- Into the night life : Henry Miller and Anaïs Nin -- Nathanael West and the Hollywood novel. 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a American fiction  |y 20th century. 
650 0 |a Motion pictures and literature. 
650 6 |a Roman américain  |y 20e siècle. 
650 6 |a Cinéma et littérature. 
650 7 |a American fiction  |2 fast 
650 7 |a Motion pictures and literature  |2 fast 
650 7 |a Film  |2 gnd 
650 7 |a Rezeption  |2 gnd 
650 7 |a Schriftsteller  |2 gnd 
650 7 |a Literatur  |2 gnd 
651 7 |a USA  |2 gnd 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History.  |2 fast 
776 0 8 |i Print version:  |z 9781846312120  |z 1846312124 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt5vjj5b  |z Texto completo 
938 |a Internet Archive  |b INAR  |n cinematicfiction0000seed 
938 |a Oxford University Press USA  |b OUPR  |n EDZ0000127229 
938 |a YBP Library Services  |b YANK  |n 7349895 
994 |a 92  |b IZTAP