|
|
|
|
LEADER |
00000cam a2200000Ma 4500 |
001 |
JSTOR_ocn866622922 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr |n||||||||| |
008 |
131223s2009 enk ob 001 0 eng d |
040 |
|
|
|a YDXCP
|b eng
|e pn
|c YDXCP
|d OCLCO
|d OTZ
|d OCLCQ
|d CAMBR
|d JSTOR
|d OCLCF
|d OCLCQ
|d OCL
|d OCLCQ
|d STBDS
|d HEBIS
|d OCLCO
|d IOG
|d EZ9
|d AU@
|d OCLCA
|d OCLCQ
|d OCLCA
|d VLB
|d OCLCO
|d OCLCQ
|d INARC
|d OCLCQ
|d OCLCO
|
020 |
|
|
|a 9781846315190
|q (electronic bk.)
|
020 |
|
|
|a 1846315190
|q (electronic bk.)
|
020 |
|
|
|z 9781846312120
|q (hardback)
|
020 |
|
|
|z 1846312124
|q (hardback)
|
029 |
1 |
|
|a NZ1
|b 16093238
|
035 |
|
|
|a (OCoLC)866622922
|
037 |
|
|
|a 22573/ctt5p6h89
|b JSTOR
|
050 |
|
4 |
|a PS221
|b .S44 2009
|
072 |
|
7 |
|a PER004030
|2 bisacsh
|
082 |
0 |
4 |
|a 813.5209
|2 22
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Seed, David.
|
245 |
1 |
0 |
|a Cinematic fictions :
|b [the impact of the cinema on the American novel up to the second World War] /
|c David Seed.
|
260 |
|
|
|a Liverpool :
|b Liverpool University Press,
|c 2009.
|
300 |
|
|
|a 1 online resource (318 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references and index.
|
520 |
8 |
|
|a This study examines American cinematic classics and also looks at some lesser-known figures such as Karl Van Vechten and Tom Kromer. The phrase cinematic fiction has now been generally accepted into critical discourse, but is usually applied to post-war novels. The book asks a simple question: given their fascination with the new medium of film, did American novelists attempt to apply cinematic methods in their own writings?
|
588 |
0 |
|
|a Print version record.
|
505 |
0 |
|
|a Beginnings -- Modernist experiments : Gertrude Stein and others -- H.D. and the limits of vision -- Ernest Hemingway : the observer's visual field -- Success and stardom in F. Scott Fitzgerald -- William Faulkner : perspective experiments -- John Dos Passos and the art of montage -- Dreiser, Eisenstein and Upton Sinclair -- Documentary of the 1930s -- John Steinbeck : extensions of documentary -- Taking possession of the Images : African American writers and the cinema -- Into the night life : Henry Miller and Anaïs Nin -- Nathanael West and the Hollywood novel.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
650 |
|
0 |
|a American fiction
|y 20th century.
|
650 |
|
0 |
|a Motion pictures and literature.
|
650 |
|
6 |
|a Roman américain
|y 20e siècle.
|
650 |
|
6 |
|a Cinéma et littérature.
|
650 |
|
7 |
|a American fiction
|2 fast
|
650 |
|
7 |
|a Motion pictures and literature
|2 fast
|
650 |
|
7 |
|a Film
|2 gnd
|
650 |
|
7 |
|a Rezeption
|2 gnd
|
650 |
|
7 |
|a Schriftsteller
|2 gnd
|
650 |
|
7 |
|a Literatur
|2 gnd
|
651 |
|
7 |
|a USA
|2 gnd
|
648 |
|
7 |
|a 1900-1999
|2 fast
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
655 |
|
7 |
|a History.
|2 fast
|
776 |
0 |
8 |
|i Print version:
|z 9781846312120
|z 1846312124
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt5vjj5b
|z Texto completo
|
938 |
|
|
|a Internet Archive
|b INAR
|n cinematicfiction0000seed
|
938 |
|
|
|a Oxford University Press USA
|b OUPR
|n EDZ0000127229
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 7349895
|
994 |
|
|
|a 92
|b IZTAP
|