|
|
|
|
LEADER |
00000cam a2200000 a 4500 |
001 |
JSTOR_ocn865564916 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr |n||||||||| |
008 |
131218s2009 enka o 000 0 eng d |
040 |
|
|
|a YDXCP
|b eng
|e pn
|c YDXCP
|d OCLCO
|d OTZ
|d OCLCQ
|d JSTOR
|d OCLCF
|d OCLCQ
|d CUS
|d OCLCO
|d STBDS
|d IOG
|d OCLCA
|d LEAUB
|d OCLCQ
|d YDX
|d EBLCP
|d OCLCO
|d OCLCQ
|
019 |
|
|
|a 1101646274
|a 1101743667
|a 1101974115
|
020 |
|
|
|a 1846315735
|q (electronic bk.)
|
020 |
|
|
|a 9781846315732
|q (electronic bk.)
|
020 |
|
|
|z 1846312027
|
020 |
|
|
|z 9781846312021
|
020 |
|
|
|z 1846312019
|
020 |
|
|
|z 9781846312014
|
029 |
1 |
|
|a AU@
|b 000053548441
|
029 |
1 |
|
|a GBVCP
|b 809008947
|
035 |
|
|
|a (OCoLC)865564916
|z (OCoLC)1101646274
|z (OCoLC)1101743667
|z (OCoLC)1101974115
|
037 |
|
|
|a 22573/ctt5p5j4d
|b JSTOR
|
043 |
|
|
|a e-sp---
|
050 |
|
4 |
|a PN1995.9.C55
|b S65 2009
|
072 |
|
7 |
|a PER004030
|2 bisacsh
|
082 |
0 |
4 |
|a 808.823
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Smith, Paul Julian,
|e author.
|
245 |
1 |
0 |
|a Spanish screen fiction :
|b between cinema and television /
|c Paul Julian Smith.
|
260 |
|
|
|a Liverpool :
|b Liverpool University Press,
|c 2009.
|
300 |
|
|
|a 1 online resource (200 pages) :
|b illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a Contemporary Hispanic and Lusophone cultures
|
520 |
8 |
|
|a This book argues that cinema and television in Spain only make sense when considered together as twin vehicles for screen fiction. The Spanish audiovisual sector is now one of the most successful in the world, with feature films achieving wider distribution in foreign markets than nations with better-known cinematic traditions and newly innovative TV formats, already dominant at home, now widely exported. Beyond the industrial context, which has seen close convergence of the two media, this book also examines the textual evidence for crossover between cinema and television at the level of narrative and form.
|
588 |
0 |
|
|a Print version record.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
650 |
|
0 |
|a Comedy films
|z Spain
|x History and criticism.
|
650 |
|
0 |
|a Situation comedies (Television programs)
|z Spain
|x History and criticism.
|
650 |
|
0 |
|a Fiction television programs
|z Spain.
|
650 |
|
0 |
|a Motion pictures and television
|z Spain.
|
650 |
|
6 |
|a Films comiques
|z Espagne
|x Histoire et critique.
|
650 |
|
6 |
|a Comédies de situation
|x Histoire et critique
|z Espagne.
|
650 |
|
6 |
|a Fictions télévisées
|z Espagne.
|
650 |
|
6 |
|a Cinéma et télévision
|z Espagne.
|
650 |
|
7 |
|a Comedy films.
|2 fast
|0 (OCoLC)fst00869095
|
650 |
|
7 |
|a Fiction television programs.
|2 fast
|0 (OCoLC)fst01743570
|
650 |
|
7 |
|a Motion pictures and television.
|2 fast
|0 (OCoLC)fst01027420
|
650 |
|
7 |
|a Situation comedies (Television programs)
|2 fast
|0 (OCoLC)fst01744318
|
651 |
|
7 |
|a Spain.
|2 fast
|0 (OCoLC)fst01204303
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
776 |
0 |
8 |
|i Print version:
|z 1846312027
|z 9781846312021
|
776 |
0 |
8 |
|i Print version:
|a Smith, Paul Julian.
|t Spanish screen fiction.
|d Liverpool : Liverpool University Press, 2009
|z 9781846312021
|w (OCoLC)287993046
|
830 |
|
0 |
|a Contemporary Hispanic and Lusophone cultures.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt5vjkd5
|z Texto completo
|
936 |
|
|
|a BATCHLOAD
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL6898758
|
938 |
|
|
|a Oxford University Press USA
|b OUPR
|n EDZ0000127587
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 302284915
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 10315392
|
994 |
|
|
|a 92
|b IZTAP
|