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Dark matter : invisibility in drama, theater, & performance /
Meditations on those entities the audience does not see - and their profound significance in the theater.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ann Arbor :
The University of Michigan Press,
[2013]
|
| Colección: | Theater--theory/text/performance.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Sofer, Andrew, |d 1964- | |
| 245 | 1 | 0 | |a Dark matter : |b invisibility in drama, theater, & performance / |c Andrew Sofer. |
| 246 | 3 | |a Invisibility in drama, theater, and performance | |
| 264 | 1 | |a Ann Arbor : |b The University of Michigan Press, |c [2013] | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 347 | |a data file |2 rda | ||
| 490 | 1 | |a Theater--theory/text/performance | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a How to do things with demons : conjuring performatives in Doctor Faustus -- Quantum mechanicals : desiring Bottom in A midsummer night's dream -- Unmasking women : The rover and sexual signification on the Restoration stage -- Unbecoming acts : power, performance, and the self-consuming body in Tennessee Williams's Suddenly last summer -- Bugs in the mind : The archbishop's ceiling and Arthur Miller's prismatic drama -- Invisible wounds : rehearsing trauma on the contemporary stage. | |
| 588 | |a Description based on print version record. | ||
| 520 | |a Meditations on those entities the audience does not see - and their profound significance in the theater. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Offstage action (Drama) | |
| 650 | 0 | |a Presence (Philosophy) | |
| 650 | 0 | |a English drama |x History and criticism. | |
| 650 | 0 | |a American drama |x History and criticism. | |
| 650 | 6 | |a Présence (Philosophie) | |
| 650 | 6 | |a Théâtre anglais |x Histoire et critique. | |
| 650 | 6 | |a Théâtre américain |x Histoire et critique. | |
| 650 | 7 | |a presence. |2 aat | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a American drama. |2 fast |0 (OCoLC)fst00806998 | |
| 650 | 7 | |a English drama. |2 fast |0 (OCoLC)fst00910737 | |
| 650 | 7 | |a Offstage action (Drama) |2 fast |0 (OCoLC)fst01044445 | |
| 650 | 7 | |a Presence (Philosophy) |2 fast |0 (OCoLC)fst01895054 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |t Dark matter |d Ann Arbor : The University of Michigan Press, [2013] |z 9780472072040 (cloth : alk. paper) |w (DLC) 2013026614 |
| 830 | 0 | |a Theater--theory/text/performance. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3998/mpub.3186316 |z Texto completo |
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