Cargando…
The Speech-Gesture Complex : Modernism, Theatre, Cinema.
This study examines the representation of gesture in modernist writing, performance and cinema. Deploying a new theoretical term, 'the speech-gesture complex', Anthony Paraskeva identifies a relationship between speech and gesture which is neither exclusively literary nor performative and...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
2013.
|
| Colección: | Edinburgh critical studies in modernism, drama and performance.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | JSTOR_ocn862614343 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 131111s2013 stk ob 001 0 eng d | ||
| 040 | |a EBLCP |b eng |e pn |c EBLCP |d OCLCQ |d YDXCP |d OCLCO |d E7B |d N$T |d CAMBR |d OCLCF |d OCLCQ |d OCLCO |d N15 |d EUX |d OTZ |d IDEBK |d JSTOR |d OCL |d OCLCQ |d NLE |d STBDS |d AGLDB |d OCLCQ |d HEBIS |d IOG |d OCLCO |d EZ9 |d VTS |d OCLCQ |d OCLCO |d INT |d OCLCQ |d UKMGB |d OCLCA |d LVT |d U3W |d STF |d LEAUB |d OCLCA |d M8D |d OCLCQ |d OCLCO |d OCLCA |d OCLCQ |d OCLCA |d UX1 |d AJS |d UKAHL |d OCLCO |d OCLCQ |d SFB |d OCLCQ |d OCLCO | ||
| 015 | |a GBB6C6802 |2 bnb | ||
| 016 | 7 | |a 017741920 |2 Uk | |
| 019 | |a 881734197 |a 883409956 |a 889946660 |a 945766493 |a 1175635346 | ||
| 020 | |a 9780748684908 |q (electronic bk.) | ||
| 020 | |a 0748684905 |q (electronic bk.) | ||
| 020 | |a 9780748695249 |q (electronic bk.) | ||
| 020 | |a 0748695249 |q (electronic bk.) | ||
| 020 | |a 9780748684915 | ||
| 020 | |a 0748684913 | ||
| 020 | |z 9780748684892 | ||
| 020 | |z 0748684891 | ||
| 029 | 1 | |a AU@ |b 000056884157 | |
| 029 | 1 | |a AU@ |b 000069027822 | |
| 029 | 1 | |a DEBBG |b BV043777401 | |
| 029 | 1 | |a DEBSZ |b 472803484 | |
| 029 | 1 | |a DKDLA |b 820120-katalog:9910052889005765 | |
| 029 | 1 | |a GBVCP |b 1003750931 | |
| 029 | 1 | |a NZ1 |b 16238105 | |
| 029 | 1 | |a UKMGB |b 017741920 | |
| 035 | |a (OCoLC)862614343 |z (OCoLC)881734197 |z (OCoLC)883409956 |z (OCoLC)889946660 |z (OCoLC)945766493 |z (OCoLC)1175635346 | ||
| 037 | |a 22573/ctt57kxg6 |b JSTOR | ||
| 050 | 4 | |a P117 .P384 2013 | |
| 072 | 7 | |a LAN |x 005000 |2 bisacsh | |
| 072 | 7 | |a LAN |x 015000 |2 bisacsh | |
| 072 | 7 | |a REF |x 026000 |2 bisacsh | |
| 072 | 7 | |a LIT006000 |2 bisacsh | |
| 072 | 7 | |a LIT004130 |2 bisacsh | |
| 072 | 7 | |a LIT013000 |2 bisacsh | |
| 082 | 0 | 4 | |a 808.5 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Paraskeva, Anthony. | |
| 245 | 1 | 4 | |a The Speech-Gesture Complex : |b Modernism, Theatre, Cinema. |
| 260 | |a Edinburgh : |b Edinburgh University Press, |c 2013. | ||
| 300 | |a 1 online resource (209 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Edinburgh Critical Studies in Modernism, Drama and Performance | |
| 505 | 0 | |a Title Page; Imprint; Contents; Acknowledgements; INTRODUCTION; 1 JAMES JOYCE; 2 WYNDHAM LEWIS; 3 THE TRANSITION TO SOUND; 4 SAMUEL BECKETT; BIBLIOGRAPHY; index. | |
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a This study examines the representation of gesture in modernist writing, performance and cinema. Deploying a new theoretical term, 'the speech-gesture complex', Anthony Paraskeva identifies a relationship between speech and gesture which is neither exclusively literary nor performative and which, he argues, is fundamental to the aesthetics and politics of modernist authors. In discussions of works by Franz Kafka, James Joyce, Henry James, Wyndham Lewis, Vladimir Nabokov and Samuel Beckett, Paraskeva shows how this relationship is closely informed by their attention to the performed gestures of actors in theatre and cinema. Key Features. Provides new close readings of major and neglected work by Kafka, Joyce, James, Lewis, Nabokov and Beckett, revealing their complex relations with both theatre and cinema Establishes a new critical-theoretical category, and highlights an unexplored dialogue between Ibsen, Benjamin, Adorno, Griffith, Eisenstein, Chaplin, Brecht, Artaud, Lang, Meyerhold, Duse and Garbo Analyses central and neglected modernist texts alongside stage productions, styles of acting, film history and performance theory | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 7 | |a Beckett, Samuel |d 1906-1989 |2 gnd |
| 600 | 1 | 7 | |a Lewis, Wyndham |d 1882-1957 |2 gnd |
| 600 | 1 | 7 | |a Joyce, James |d 1882-1941 |2 gnd |
| 630 | 0 | 7 | |a Bibel |p Philemonbrief |2 gnd |
| 650 | 0 | |a Speech and gesture. | |
| 650 | 0 | |a Gesture in literature. | |
| 650 | 0 | |a Gesture in motion pictures. | |
| 650 | 0 | |a Modernism (Literature) | |
| 650 | 6 | |a Parole et gestes. | |
| 650 | 6 | |a Modernisme (Littérature) | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Composition & Creative Writing. |2 bisacsh | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Rhetoric. |2 bisacsh | |
| 650 | 7 | |a REFERENCE |x Writing Skills. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x Semiotics & Theory. |2 bisacsh | |
| 650 | 7 | |a Gesture in literature |2 fast | |
| 650 | 7 | |a Gesture in motion pictures |2 fast | |
| 650 | 7 | |a Modernism (Literature) |2 fast | |
| 650 | 7 | |a Speech and gesture |2 fast | |
| 650 | 7 | |a Drama |2 gnd | |
| 650 | 7 | |a Geste |g Motiv |2 gnd | |
| 650 | 7 | |a Sprache |g Motiv |2 gnd | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Paraskeva, Anthony. |t Speech-Gesture Complex : Modernism, Theatre, Cinema. |d Edinburgh : Edinburgh University Press, ©2013 |z 9780748684892 |
| 830 | 0 | |a Edinburgh critical studies in modernism, drama and performance. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctt5hh38r |z Texto completo |
| 936 | |a BATCHLOAD | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH25457212 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL1543330 | ||
| 938 | |a ebrary |b EBRY |n ebr10800534 | ||
| 938 | |a EBSCOhost |b EBSC |n 660168 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis31536880 | ||
| 938 | |a Oxford University Press USA |b OUPR |n EDZ0000237317 | ||
| 938 | |a YBP Library Services |b YANK |n 11413584 | ||
| 938 | |a YBP Library Services |b YANK |n 11335929 | ||
| 994 | |a 92 |b IZTAP | ||