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Black square : Malevich and the origin of suprematism /

"Kazimir Malevich's painting Black Square is one of the twentieth century's emblematic paintings, the visual manifestation of a new period in world artistic culture at its inception. None of Malevich's contemporary revolutionaries created a manifesto, an emblem, as capacious and...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Shatskikh, Aleksandra Semenovna (Autor)
Otros Autores: Schwartz, Marian, 1951- (Traductor)
Formato: Electrónico eBook
Idioma:Inglés
Ruso
Publicado: New Haven : Yale University Press, [2012]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Shatskikh, Aleksandra Semenovna,  |e author. 
240 1 0 |a Chernyĭ kvadrat.  |l English 
245 1 0 |a Black square :  |b Malevich and the origin of suprematism /  |c Aleksandra Shatskikh ; translated by Marian Schwartz. 
264 1 |a New Haven :  |b Yale University Press,  |c [2012] 
264 4 |c ©2012 
300 |a 1 online resource (xvii, 346 pages) :  |b illustrations, portraits 
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504 |a Includes bibliographical references (pages 317-320) and index. 
505 0 |a The birth of Black Square -- On the threshold of "0.10" -- From "0.10" to "Store" -- The Supremus Society -- The end of painting. 
520 |a "Kazimir Malevich's painting Black Square is one of the twentieth century's emblematic paintings, the visual manifestation of a new period in world artistic culture at its inception. None of Malevich's contemporary revolutionaries created a manifesto, an emblem, as capacious and in its own way unique as this work; it became both the quintessence of the Russian avant-gardist's own art--which he called Suprematism--and a milestone on the highway of world art. Writing about this single painting, Aleksandra Shatskikh sheds new light on Malevich, the Suprematist movement, and the Russian avant-garde. Malevich devoted his entire life to explicating Black Square's meanings. This process engendered a great legacy: the original abstract movement in painting and its theoretical grounding; philosophical treatises; architectural models; new art pedagogy; innovative approaches to theater, music, and poetry; and the creation of a new visual environment through the introduction of decorative applied designs. All of this together spoke to the tremendous potential for innovative shape and thought formation concentrated in Black Square. To this day, many circumstances and events of the origins of Suprematism have remained obscure and have sprouted arbitrary interpretations and fictions. Close study of archival materials and testimonies of contemporaries synchronous to the events described has allowed this author to establish the true genesis of Suprematism and its principal painting"--Publisher's website. 
546 |a In English; translated from Russian. 
588 0 |a Print version record. 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
600 1 0 |a Malevich, Kazimir Severinovich,  |d 1878-1935. 
600 1 6 |a Malevitch, Kazimir,  |d 1878-1935. 
600 1 7 |a Malevich, Kazimir Severinovich,  |d 1878-1935.  |2 fast  |0 (OCoLC)fst00051293 
650 0 |a Suprematism in art. 
650 0 |a Art  |z Russia  |y 20th century  |x History. 
650 0 |a Art  |z Soviet Union  |x History. 
650 6 |a Suprématisme. 
650 6 |a Art  |z Russie  |y 20e siècle  |x Histoire. 
650 6 |a Art  |z URSS  |x Histoire. 
650 7 |a Suprematist.  |2 aat 
650 7 |a ART  |x History  |x Modern (late 19th Century to 1945)  |2 bisacsh 
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650 7 |a Suprematism in art.  |2 fast  |0 (OCoLC)fst01896107 
651 7 |a Russia.  |2 fast  |0 (OCoLC)fst01207312 
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655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
700 1 |a Schwartz, Marian,  |d 1951-  |e translator. 
776 0 8 |i Print version:  |a Shatskikh, Aleksandra Semenovna.  |s Chernyĭ kvadrat. English.  |t Black square.  |d New Haven : Yale University Press, [2012]  |z 9780300140897  |w (DLC) 2012011866  |w (OCoLC)785864576 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt32bjn6  |z Texto completo 
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