|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_ocn861792851 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
131031s1999 ctua ob 001 0 eng d |
040 |
|
|
|a JSTOR
|b eng
|e rda
|e pn
|c JSTOR
|d OCLCO
|d OCLCF
|d YDXCP
|d OCLCQ
|d IOG
|d EZ9
|d INARC
|d TXC
|d OCLCO
|d LVT
|d OCLCQ
|d OCLCA
|d LUN
|d UX1
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCO
|
019 |
|
|
|a 1036769179
|a 1170893913
|a 1175638370
|
020 |
|
|
|a 9780300148572
|q (electronic bk.)
|
020 |
|
|
|a 0300148577
|q (electronic bk.)
|
020 |
|
|
|z 0300072317
|
020 |
|
|
|z 9780300072310
|
029 |
1 |
|
|a AU@
|b 000062463365
|
029 |
1 |
|
|a GBVCP
|b 1003748929
|
035 |
|
|
|a (OCoLC)861792851
|z (OCoLC)1036769179
|z (OCoLC)1170893913
|z (OCoLC)1175638370
|
037 |
|
|
|a 22573/ctt2zx228
|b JSTOR
|
043 |
|
|
|a e------
|a n-us---
|
050 |
|
4 |
|a ML240
|b .S89 1999eb
|
072 |
|
7 |
|a MUS024000
|2 bisacsh
|
082 |
0 |
4 |
|a 780/.94
|2 22
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Sullivan, Jack,
|d 1946-
|
245 |
1 |
0 |
|a New World symphonies :
|b how American culture changed European music /
|c Jack Sullivan.
|
264 |
|
1 |
|a New Haven :
|b Yale University Press,
|c [1999]
|
264 |
|
4 |
|c ©1999
|
300 |
|
|
|a 1 online resource (xix, 262 pages) :
|b illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
347 |
|
|
|a data file
|
504 |
|
|
|a Includes bibliographical references and index.
|
505 |
0 |
|
|a The legacy of the sorrow songs -- Hiawatha fever : the legacy of Longfellow -- New worlds of terror : the legacy of Poe -- New World songs : the legacy of Whitman -- Beyond the frontier : New World landscape -- Broadway, Hollywood and the accidental beauties of silly songs -- New World rhythm : the spread of jazz.
|
520 |
|
|
|a This book shows for the first time the profound and transformative influence of American literature, music, and mythology on European music. Although the impact of European tradition on American composers is widely acknowledged, Jack Sullivan demonstrates that an even more powerful musical current has flowed from the New World to the Old. The spread of rock and roll around the world, the author contends, is only the latest chapter in a cross-cultural story that began in the nineteenth century with Gottschalk in Paris and Dvorak in New York. Sullivan explores the effects on European music of American authors as diverse as Twain, DuBois, Melville, and Langston Hughes, and he uncovers the African-American musical influence on Europe, beginning with spirituals and culminating in the impact of jazz on Stravinsky, Bartok, Walton, and other noted composers.
|
588 |
0 |
|
|a Print version record.
|
546 |
|
|
|a English.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
650 |
|
0 |
|a Music
|z Europe
|x American influences.
|
650 |
|
0 |
|a Music
|z United States
|x History and criticism.
|
650 |
|
6 |
|a Musique
|z Europe
|x Influence américaine.
|
650 |
|
6 |
|a Musique
|z États-Unis
|x Histoire et critique.
|
650 |
|
7 |
|a MUSIC
|x Genres & Styles
|x International.
|2 bisacsh
|
650 |
|
7 |
|a Music
|2 fast
|
650 |
|
7 |
|a Music
|x American influences
|2 fast
|
651 |
|
7 |
|a Europe
|2 fast
|
651 |
|
7 |
|a United States
|2 fast
|
650 |
|
7 |
|a Kultur
|2 gnd
|
650 |
|
7 |
|a Rezeption
|2 gnd
|
650 |
|
7 |
|a Musik
|2 gnd
|
650 |
|
7 |
|a Geschichte
|2 gnd
|
651 |
|
7 |
|a USA
|2 gnd
|
651 |
|
7 |
|a Europa
|2 gnd
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
776 |
0 |
8 |
|i Print version:
|a Sullivan, Jack, 1946-
|t New World symphonies
|z 0300072317
|w (DLC) 98003641
|w (OCoLC)38747886
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt32bxbs
|z Texto completo
|
938 |
|
|
|a Internet Archive
|b INAR
|n newworldsymphoni00sull
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 11820352
|
994 |
|
|
|a 92
|b IZTAP
|