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Against Autobiography : Albert Memmi and the Production of Theory.

The work of Tunisian Jewish intellectual Albert Memmi, like that of many francophone Maghrebian writers, is often read as thinly veiled autobiography. Questioning the prevailing body of criticism, which continues this interpretation of most fiction produced by francophone North African writers, Lia...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Brozgal, Lia Nicole, 1972-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: University of Nebraska Press, 2013.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Brozgal, Lia Nicole,  |d 1972- 
245 1 0 |a Against Autobiography :  |b Albert Memmi and the Production of Theory. 
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505 0 |a Of authors and archives: Albert Memmi's francophone postcolonial -- Writing back to whom? novel strategies of ambiguity and the "mark of the plural" -- Writing without seeing: the enigmas of Memmi's "denigration of vision" -- From colonizer and colonized to decolonization and the decolonized: texts, contexts, paratexts -- Continuations: Albert Memmi in the post-francophone world. 
504 |a Includes bibliographical references (pages 197-214) and index. 
520 |a The work of Tunisian Jewish intellectual Albert Memmi, like that of many francophone Maghrebian writers, is often read as thinly veiled autobiography. Questioning the prevailing body of criticism, which continues this interpretation of most fiction produced by francophone North African writers, Lia Nicole Brozgal shows how such interpretations of Memmi's texts obscure their not inconsiderable theoretical possibilities.Calling attention to the ambiguous status of autobiographical discursive and textual elements in Memmi's work, Brozgal shifts the focus from the author to theoretic. 
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