Roll with it : brass bands in the streets of New Orleans /

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Roll With It is a firsthand account of the contradictory lives of New Orleans brass-band musicians. They are celebrated as cultural icons within the music scene; outside it, they are treated as faceless black males-subject to poverty, racial marginalization, and urban violence.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Sakakeeny, Matt, 1971- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2013.
Colección:Refiguring American music.
Temas:
Rebirth Brass Band.
Soul Rebels (Musical group)
Hot 8 Brass Band.
Rebirth Brass Band
Brass bands > Louisiana > New Orleans.
African American musicians > Louisiana > New Orleans.
Brass instrument players > Louisiana > New Orleans.
African American jazz musicians > Louisiana > New Orleans > Social conditions.
Fanfares (Orchestres) > Louisiane > La Nouvelle-Orléans.
Musiciens noirs américains > Louisiane > La Nouvelle-Orléans.
Joueurs de cuivres > Louisiane > La Nouvelle-Orléans.
Musiciens de jazz noirs américains > Louisiane > La Nouvelle-Orléans > Conditions sociales.
MUSIC > Genres & Styles > Chamber.
MUSIC / Genres & Styles / Soul & R 'n B
African American musicians
Brass bands
Brass instrument players
Brassband.
Blåsmusiker.
Louisiana > New Orleans
Förenta staterna > Louisiana > New Orleans.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Prologue: crossing the threshold
  • Introduction: forward motion
  • Chapter 1. Onward and upward. A funeral fit for a Duke ; An eventful history ; Second lining with Rebirth ; Developments in the Tremé ; The Bass Brothers ; Lives in motion ; When this life is over ; Voices and instruments ; Life at the top
  • Chapter 2. Constraints. Down on the corner ; Where culture means business ; Bennie's dilemma ; The business of culture
  • Chapter 3. Progressions. You don't want to go to war ; A renaissance ; Tradition on parade ; Music by any means necessary ; Productive friction
  • Chapter 4. Voices. Structural violence, interpersonal violence, and musical articulation ; Joseph "Shotgun" Williams ; Why dey had to kill him? ; Dinerral Jevone Shavers ; Voices and instruments at Dinerral's funeral ; Voices amplified, muffled, and distorted ; Voices lost and found
  • Conclusion: engagements
  • Afterword: image and music in the art of Willie Birch / Willie Birch and Matt Sakakeeny.

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