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The end of the American avant garde /
""By 1966, the composer Virgil Thomson would write, ""Truth is, there is no avant-garde today."" How did the avant garde dissolve, and why? In this thought-provoking work, Stuart D. Hobbs traces the avant garde from its origins to its eventual appropriation by a conserv...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
New York University Press,
1997.
|
| Colección: | American social experience series ;
37. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Hobbs, Stuart D. |q (Stuart Dale), |d 1961- |e author. | |
| 245 | 1 | 4 | |a The end of the American avant garde / |c Stuart D. Hobbs. |
| 264 | 1 | |a New York : |b New York University Press, |c 1997. | |
| 264 | 4 | |c ©1997 | |
| 300 | |a 1 online resource (xii, 230 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a The American social experience series ; |v 37 | |
| 504 | |a Includes bibliographical references (pages 215-224) and index. | ||
| 505 | 0 | |a Toward the last American vanguard, 1930-1955. Introduction : the avant garde and the culture of the future -- The communist party, modernism, and the avant garde -- The American avant garde, 1945-1960. Alienation -- Innovation -- The future -- The end of the avant garde, 1950-1965. The cold war, cultural radicalism, and the defense of capitalism -- Institutional enthrallment -- Consumer culture commodification -- The end of the avant garde, 1965-1995. The convention of innovation and the end of the future. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a ""By 1966, the composer Virgil Thomson would write, ""Truth is, there is no avant-garde today."" How did the avant garde dissolve, and why? In this thought-provoking work, Stuart D. Hobbs traces the avant garde from its origins to its eventual appropriation by a conservative political agenda, consumer culture, and the institutional world of art. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 651 | 0 | |a United States |x Intellectual life |y 20th century. | |
| 650 | 0 | |a Avant-garde (Aesthetics) |z United States |x History |y 20th century. | |
| 651 | 6 | |a États-Unis |x Vie intellectuelle |y 20e siècle. | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 7 | |a HISTORY |z United States |x State & Local |x General. |2 bisacsh | |
| 650 | 7 | |a Avant-garde (Aesthetics) |2 fast |0 (OCoLC)fst00824280 | |
| 650 | 7 | |a Intellectual life. |2 fast |0 (OCoLC)fst00975769 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
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| 776 | 0 | 8 | |i Print version: |a Hobbs, Stuart D. (Stuart Dale), 1961- |t End of the American avant garde. |d New York : New York University Press, ©1997 |w (DLC) 96035604 |
| 830 | 0 | |a American social experience series ; |v 37. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt9qfvp7 |z Texto completo |
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