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Not altogether human : pantheism and the dark nature of the American renaissance /
"Many leading American thinkers in the nineteenth century, who accepted the premises of Emersonian transcendentalism, valued the basic concept of pantheism: that God inheres in nature and in all things, and that a person could achieve a sense of belonging she or he lacked in society by seeking...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amherst :
University of Massachusetts Press,
©2012.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Hardack, Richard, |e author. | |
| 245 | 1 | 0 | |a Not altogether human : |b pantheism and the dark nature of the American renaissance / |c Richard Hardack. |
| 260 | |a Amherst : |b University of Massachusetts Press, |c ©2012. | ||
| 300 | |a 1 online resource (304 pages) | ||
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| 505 | 0 | |a "The seductive god": Pan and the emergence of a transcendental America -- The "not me": the black nature of an animated world -- "A democracy of devils": the limits of individualism in Emerson and Melville -- The melancholy of anatomy: the body politics of American pantheism. | |
| 520 | |a "Many leading American thinkers in the nineteenth century, who accepted the premises of Emersonian transcendentalism, valued the basic concept of pantheism: that God inheres in nature and in all things, and that a person could achieve a sense of belonging she or he lacked in society by seeking a oneness with all of nature. As Richard Hardack shows, however, writers such as Ralph Waldo Emerson, Nathaniel Hawthorne, and Herman Melville conceived of nature as everything "Other"--Other than the white male Protestant culture of which they were a part. This conception of nature, then, became racialized, and the divine became associated with African American and Native American identities, as well as with femininity. In "Not Altogether Human," Hardack reevaluates transcendentalism in the context of nineteenthcentury concerns about individual and national racial identity. Elucidating the influence of pantheism, Hardack draws on an array of canonical and unfamiliar materials to remap the boundaries of what has long been viewed as white male transcendental discourse. This book significantly revises notions of what transcendentalism and pantheism mean and how they relate to each other. Hardack's close analysis of pantheism and its influence on major works and lesser known writing of the nineteenth century opens up a new perspective on American culture during this key moment in the country's history."--Project Muse | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Pantheism in literature. | |
| 650 | 0 | |a Transcendentalism in literature. | |
| 650 | 0 | |a American literature |y 19th century |x History and criticism. | |
| 650 | 6 | |a Panthéisme dans la littérature. | |
| 650 | 6 | |a Transcendantalisme dans la littérature. | |
| 650 | 6 | |a Littérature américaine |y 19e siècle |x Histoire et critique. | |
| 650 | 7 | |a RELIGION |x General. |2 bisacsh | |
| 650 | 7 | |a American literature |2 fast | |
| 650 | 7 | |a Pantheism in literature |2 fast | |
| 650 | 7 | |a Transcendentalism in literature |2 fast | |
| 648 | 7 | |a 1800-1899 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Hardack, Richard. |t Not altogether human. |d Amherst : University of Massachusetts Press, ©2012 |z 9781558499577 |w (DLC) 2012007993 |w (OCoLC)768167110 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt5vk6mj |z Texto completo |
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