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Rancière and film /
The first collection of critical essays on the film work of the philosopher Jacques Ranci÷re. Jacques Ranci÷re rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing con...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2013]
|
| Colección: | Critical connections.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Rancière and film / |c edited by Paul Bowman. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2013] | |
| 300 | |a 1 online resource (vii, 214 pages) | ||
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| 490 | 1 | |a Critical connections | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (Jstor, viewed April 16, 2018). | |
| 505 | 0 | |a Title Page; Imprint; Contents; Acknowledgements; 1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies; 2 What Does It Mean to Call Film an Art?; 3 After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications; 4 The Spectator without Qualities; 5 Memories of Modernism: Jacques Rancière, Chris Marker and the Image of Modernism; 6 Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia's La Comunidad; 7 Inhuman Spectatorship; 8 Cinemarxis: Rancière and Godard; 9 Jacques Rancière's Animated Vertigo. | |
| 505 | 8 | |a Or, How to be Specific about Medium10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema; 11 Remarks by Way of a Postface; Contributors; Bibliography; Index. | |
| 520 | |a The first collection of critical essays on the film work of the philosopher Jacques Ranci÷re. Jacques Ranci÷re rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing controversial and challenging works on these topics. This book offers an exciting range of responses to and assessments of his contributions to film studies and includes an afterword response to the essays by Ranci÷re himself. Contributors include. Nico Baumbach, Columbia University Rey Chow, Duke University Bram Ieven, Utrecht University MÃđnica Lopez Lerma, Helsinki University Patricia MacCormack, University of East Anglia Richard Stamp, Bath Spa University James Steintrager, University of California, Irvine | ||
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| 600 | 1 | 0 | |a Rancière, Jacques. |
| 600 | 1 | 7 | |a Rancière, Jacques |2 fast |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Philosophy |2 fast | |
| 700 | 1 | |a Bowman, Paul, |d 1971- |e author. | |
| 776 | 0 | 8 | |i Print version: |t Rancière and film. |d Edinburgh : Edinburgh University Press, [2013] |z 9780748647361 |w (DLC) 2013409731 |w (OCoLC)825735291 |
| 830 | 0 | |a Critical connections. | |
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