Maximum embodiment : yōga, the western painting of Japan, 1912-1955 /

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Maximum Embodiment presents a compelling thesis articulating the historical character of Yoga, literally the "Western painting" of Japan. The term designates what was arguably the most important movement in modern Japanese art from the late nineteenth to the mid-twentieth centuries. Perhap...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Winther-Tamaki, Bert, 1959-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Honolulu : University of Hawaiʻi Press, ©2012.
©2012
Temas:
Chōsen Kōgei Kenkyūkai
1900-1999
Painting, Japanese > Western style.
Painting, Japanese > 20th century.
Yōga (Peinture japonaise)
Peinture japonaise > 20e siècle.
Yōga (Japanese painting styles)
ART > History > General.
ART > Asian.
Painting, Japanese
Painting, Japanese > Western style
Yōga > Malerei
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Front Cover
  • Contents
  • Illustrations
  • Acknowledgments
  • Note on Translations and Names
  • Introduction YÅ?ga, the Intercultural Art of Embodiment and Disembodiment
  • Chapter 1 Strong Flesh at the Ready: Body and Self in Self-Portraiture
  • Chapter 2 Accelerating the Heartbeat: Erotic Nationalism and the Japanese Nude
  • Chapter 3 Creating Oriental Beauty: Chinese Passages to Imperial YÅ?ga
  • Color plates (12)
  • Chapter 4 The Feast of Fierce Massacre: Maximum Disembodiment
  • Epilogue The Collapse of YÅ?ga Embodiment
  • Notes
  • Selected BibliographyIndex
  • About the Author
  • Back Cover

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