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Making Art Panamerican : Cultural Policy and the Cold War /

Among the buildings on the National Mall in Washington, D.C., only the Pan American Union (PAU) houses an international organization. The first of many anticipated "peace palaces"constructed in the early twentieth century, the PAU began with a mission of cultural diplomacy, and after World...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Fox, Claire F.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis : University of Minnesota Press, [2013]
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Making Art Panamerican :  |b Cultural Policy and the Cold War /  |c Claire F. Fox. 
264 1 |a Minneapolis :  |b University of Minnesota Press,  |c [2013] 
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505 0 |a Preface: The long twentieth-century quest for Panamerica -- Introduction: The Pan American Union Visual Arts Programs and Latin American art -- Art enters the union : the transition from World War II to the Cold War -- El Arte Que Progresa : modernization, nodern art, and continental consciousness -- José Luis Cuevas, Panamerican celebrity -- The last party : HemisFair '68 -- Afterword: The afterlife of the Pan American Union Visual Arts Programs. 
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520 |a Among the buildings on the National Mall in Washington, D.C., only the Pan American Union (PAU) houses an international organization. The first of many anticipated "peace palaces"constructed in the early twentieth century, the PAU began with a mission of cultural diplomacy, and after World War II its Visual Arts Section became a leader in the burgeoning hemispheric arts scene, proclaiming Latin America's entrée into the international community as it forged connections between a growing base of middle-class art consumers on one hand and concepts of supranational citizenship and poli. 
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