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|a UAMI
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|a Williams, Justin A.
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|a Rhymin' and stealin' :
|b musical borrowing in hip-hop /
|c Justin A. Williams.
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|a Ann Arbor, Michigan :
|b University of Michigan Press,
|c [2013]
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|a 1 online resource (304 pages) :
|b illustrations (black and white).
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a Tracking pop
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|a Print version record.
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|a Includes bibliographical references and index.
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|a Introduction -- Historicizing the breakbeat : hip-hop's origins and authenticity -- The construction of jazz rap as high art in hip-hop music -- Dr. Dre's "Jeep beats" and musical borrowing for the automotive space -- The martyr industry : Tupac Shakur, the Notorious B.I.G., and postmortem sampling -- Borrowing and lineage in Eminem/2Pac's Loyal to the game and 50 Cent's Get rich or die trying.
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|a The author uses examples from Nas, Jay-Z, A Tribe Called Quest, Eminem, and many others to show that the transformation of pre-existing material is the fundamental element of hip-hop aesthetics.
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|a English.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Rap (Music)
|x History and criticism.
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|a Allusions in music.
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|a MUSIC
|x Instruction & Study
|x Voice.
|2 bisacsh
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|a MUSIC
|x Lyrics.
|2 bisacsh
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|a MUSIC
|x Printed Music
|x Vocal.
|2 bisacsh
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|a MUSIC
|x General.
|2 bisacsh
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|a Allusions in music
|2 fast
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|a Hip-hop
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|z 9781299782426
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830 |
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|a Tracking pop.
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|u https://jstor.uam.elogim.com/stable/10.3998/mpub.3480627
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