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Following the cap-figure in Majapahit temple reliefs : a new look at the religious function of East Javanese temples, fourteenth and fifteenth centuries /

This publication provides a new understanding of the religious function of the East Javanese temples. The study of the cap-figures and their symbolism yields an outstanding contribution to the uniqueness of Majapahit culture.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kieven, Lydia
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Brill, 2013.
Colección:Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Kieven, Lydia. 
245 1 0 |a Following the cap-figure in Majapahit temple reliefs :  |b a new look at the religious function of East Javanese temples, fourteenth and fifteenth centuries /  |c by Lydia Kieven. 
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490 1 |a Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde 
588 0 |a Print version record. 
520 |a This publication provides a new understanding of the religious function of the East Javanese temples. The study of the cap-figures and their symbolism yields an outstanding contribution to the uniqueness of Majapahit culture. 
505 0 |a I. Introduction -- II. Narrative reliefs and Panji stories -- III. Iconography of the late East Javanese temple reliefs -- IV. Temples in context of religion and politics -- V. Table of depictions of cap-figures in Majapahit art in chronological order -- VI. Candi Jago: the cap, a new fashion of headgear -- VII. Candi Panataran: Panji -- VIII. Candi Surowono: Sidapaksa, a nobleman with a cap -- IX. Candi Mirigambar: Panji, the ideal lover and warrior -- X. Sanctuaries on Mount Penanggungan: Candi Kendalisodo, Candi Yudha, and the Panji statue from Candi Selokelir -- XI.conclusion: Panji and the cap-figure as intermediary characters on the path to tantric rituals. 
505 0 |a Following The Cap-Figure In Majapahit Temple Reliefs; Copyright; Contents; Acknowledgements; Technical notes; List of figures, tables, and plates; I. Introduction; Introducing the subject; previous research; methodology; outline; II. Narrative reliefs and panji stories; narrative reliefs and literary traditions; panji stories; the literary genre; previous research; symbolism of the panji stories; narratives, panji stories, and performing arts; III. Iconography of the late east javanese temple reliefs; iconographical conventions in the late east javanese temple reliefs; types of characters. 
505 8 |a Types of posturestypes of place; the cap-figures; the term 'cap'; iconography and classification; the kadeyan: gambyok relief and grogol statues; the gambyok relief; the grogol statues; further kertolo statues; IV. Temples in context of religion and politics; architecture of the majapahit period; the religious belief systems: saiwism and buddhism; tantrism; religious practices in majapahit temples; the politics of majapahit; temples in the 'unity of the realm'; the decline of majapahit -- mountain sanctuaries; water and mountain in ancient javanese mythology and art. 
505 8 |a v. Table of depictions of cap-figures in majapahit art in chronological orderselection of case studies; VI. Candi jago: the cap, a new fashion of headgear; layout and architecture; history and function; reliefs with cap-figures; tantri stories; angling dharma story; kunjarakarna story; sudhanakumara-awadana story; conclusion; VII. Candi panataran: panji, introducing the pilgrim into the tantric doctrine; layout and architecture; history and function; iconography and interpretation of the reliefs with cap-figures; the outer bathing place; the pendopo terrace (C). 
505 8 |a Analysis of the symbolic meaning of the reliefs on the pendopo terracethe naga temple (E); the small pendopo terrace (F); the dwarapala in front of the main temple; the main temple (G)/(H); the inner bathing place (I); conclusion; VIII. Candi surowono: sidapaksa, a nobleman with a cap; layout and architecture; history and function; iconography and interpretation of the narrative reliefs; the sri tanjung reliefs; the arjunawiwaha reliefs and the bubukshah reliefs; cross-references between the three narrative relief series; conclusion; addendum: further cap-figures. 
505 8 |a IX. Candi mirigambar: panji, the ideal lover and warriorlayout and architecture; history and function; iconography and interpretation of the narrative reliefs; conclusion; X. Sanctuaries on mount penanggungan: candi kendalisodo, candi yudha, and the panji statue from candi selokelir -- the climax; geographical situation and layout of the sanctuaries; history and function of the sites; candi kendalisodo; candi yudha; the panji statue from candi selokelir; conclusion; xi.conclusion: Panji and the cap-figure as intermediary characters on the path to tantric rituals. 
546 |a English. 
504 |a Includes bibliographical references and index. 
590 |a JSTOR  |b Books at JSTOR Open Access 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Hindu temples  |z Indonesia  |z Java  |x History. 
650 0 |a Hindu symbolism  |x History. 
651 0 |a Java (Indonesia)  |x Religion. 
651 0 |a Indonesia  |x History  |y To 1478. 
650 6 |a Temples hindous  |z Indonésie  |z Java  |x Histoire. 
650 6 |a Symbolisme hindou  |x Histoire. 
651 6 |a Java (Indonésie)  |x Religion. 
651 6 |a Indonésie  |x Histoire  |y Jusqu'à 1478. 
650 7 |a RELIGION  |x Comparative Religion.  |2 bisacsh 
650 7 |a RELIGION  |x General.  |2 bisacsh 
650 7 |a Hindu symbolism  |2 fast 
650 7 |a Hindu temples  |2 fast 
650 7 |a Religion  |2 fast 
651 7 |a Indonesia  |2 fast 
651 7 |a Indonesia  |z Java  |2 fast 
650 1 7 |a Tempels.  |2 gtt 
650 1 7 |a Hindoeïsme.  |2 gtt 
651 7 |a Jawa Timur.  |2 gtt 
648 7 |a To 1478  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Kieven, Lydia.  |t Following the cap-figure in Majapahit temple reliefs.  |d Brill, 2013  |w (DLC) 2013943621 
830 0 |a Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.1163/j.ctt1w76vm3  |z Texto completo 
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