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Pattern and person : ornament, society, and self in classical China /
"In Classical China, crafted artifacts offered a material substrate for abstract thought, as graphic paradigms for social relationships. Focusing on the 5th to 2nd centuries B.C., Martin Powers explores how these paradigms continued to inform social thought long after the material substrate had...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, Mass. :
Harvard University Asia Center,
2006.
|
| Colección: | Harvard East Asian monographs ;
262. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Powers, Martin Joseph, |d 1949- |e author. | |
| 245 | 1 | 0 | |a Pattern and person : |b ornament, society, and self in classical China / |c Martin J. Powers. |
| 264 | 1 | |a Cambridge, Mass. : |b Harvard University Asia Center, |c 2006. | |
| 300 | |a 1 online resource (xvi, 374 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 0 | |a Harvard East Asian monographs ; |v 262 | |
| 504 | |a Includes bibliographical references (pages 355-367) and index. | ||
| 505 | 0 | |a Introduction. Graphic patterns and social order -- 1. Style -- 2. Terms of craft -- 3. Abstraction -- 4. Craft -- 5. Government -- 6. Labor, invention, and "taste" -- 7. Craft and political theory -- 8. Ornament and identity -- 9. Bureaucracy and agency -- 10. The politics of personhood -- 11. Patterns, pictures, and fractals -- 12. The laws of nature -- 13. Nature and society -- 14. Identity and possession -- Epilogue. Sources of self. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 520 | 1 | |a "In Classical China, crafted artifacts offered a material substrate for abstract thought, as graphic paradigms for social relationships. Focusing on the 5th to 2nd centuries B.C., Martin Powers explores how these paradigms continued to inform social thought long after the material substrate had been abandoned. In this detailed study, the author makes the claim that artifacts are never neutral: as distinctive possessions, each object - through the abstracting function of style - offers a material template for scales of value. Likewise, through style, pictorial forms can make claims about material "referents," the things depicted. By manipulating these scales and their referents, artifacts can shape the way status, social role, or identity is understood and enforced. The result is a kind of "spatial epistemology" within which the identities of persons are constructed. Powers thereby posits a relationship between art and society that operates at a level deeper than iconography, attributes, or social institutions."--Jacket | |
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2011. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2011 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 610 | 2 | 7 | |a Kölner Künstlervereinigung Stil |2 gnd |
| 650 | 0 | |a Decoration and ornament |z China |x History |y To 221 B.C. |x Themes, motives. | |
| 650 | 0 | |a Decoration and ornament |z China |x History |y Qin-Han dynasties, 221 B.C.-220 A.D. |x Themes, motives. | |
| 650 | 0 | |a Decorative arts |x Social aspects |z China. | |
| 650 | 0 | |a Self-perception in art. | |
| 650 | 0 | |a Decoration and ornament |z China |x History |y To 221 B.C. | |
| 650 | 0 | |a Decoration and ornament |z China |x History |y Qin-Han dynasties, 221 B.C.-220 A.D. | |
| 650 | 6 | |a Décoration et ornement |z Chine |x Histoire |y Jusqu'à 221 av. J.-C. | |
| 650 | 6 | |a Décoration et ornement |z Chine |x Histoire |y 221 av. J.-C.-220 (Dynasties des Qin et des Han) | |
| 650 | 6 | |a Arts décoratifs |x Aspect social |z Chine. | |
| 650 | 6 | |a Perception de soi dans l'art. | |
| 650 | 6 | |a Décoration et ornement |z Chine |x Histoire |y Jusqu'à 221 av. J.-C. |x Thèmes, motifs. | |
| 650 | 6 | |a Décoration et ornement |z Chine |x Histoire |y 221 av. J.-C.-220 (Dynasties des Qin et des Han) |x Thèmes, motifs. | |
| 650 | 7 | |a HISTORY |z Europe |z Great Britain. |2 bisacsh | |
| 650 | 7 | |a Decoration and ornament |x Themes, motives. |2 fast |0 (OCoLC)fst00889208 | |
| 650 | 7 | |a Decorative arts |x Social aspects. |2 fast |0 (OCoLC)fst00889352 | |
| 650 | 7 | |a Self-perception. |2 fast |0 (OCoLC)fst01111797 | |
| 651 | 7 | |a China. |2 fast |0 (OCoLC)fst01206073 | |
| 650 | 7 | |a Gesellschaft |2 gnd | |
| 650 | 7 | |a Individuum |2 gnd | |
| 650 | 7 | |a Kunsthandwerk |2 gnd | |
| 651 | 7 | |a China |2 gnd | |
| 650 | 7 | |a Stil |2 gnd | |
| 648 | 7 | |a To 220 |2 fast | |
| 648 | 7 | |a Geschichte 600 v. Chr.-221 v. Chr. |2 swd | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Powers, Martin Joseph, 1949- |t Pattern and person. |d Cambridge, Mass. : Harvard University Asia Center, 2006 |z 0674021398 |w (DLC) 2006008313 |w (OCoLC)64624952 |
| 830 | 0 | |a Harvard East Asian monographs ; |v 262. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1tg5px1 |z Texto completo |
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