The Notation Is Not the Music : Reflections on Early Music Practice and Performance /

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Written by a leading authority and artist of the historical transverse flute, this book offers invaluable insight into the issues of historically-informed performance and the parameters - and limitations - of notation-dependent performance. As the author illustrates, performers of historical music s...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kuijken, Barthold
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington ; Indianapolis : Indiana University Press, [2013]
Colección:Publications of the Early Music Institute.
Temas:
Performance practice (Music)
Music > Performance.
Pratique de l'exécution (Musique)
Musique > Exécution.
MUSIC > Instruction & Study > Theory.
MUSIC > Musical Instruments > Woodwinds.
Music > Performance
Acceso en línea:Texto completo

MARC

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100 1 |a Kuijken, Barthold. 
245 1 4 |a The Notation Is Not the Music :  |b Reflections on Early Music Practice and Performance /  |c Barthold Kuijken. 
264 1 |a Bloomington ;  |a Indianapolis :  |b Indiana University Press,  |c [2013] 
264 4 |c ©2013 
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490 1 |a Publications of the Early Music Institute 
504 |a Includes bibliographical references (pages 117-121) and index. 
505 0 |a The Underlying Philosophy -- My Way Toward Research -- The Limits of Notation -- The Notation, Its Perception, and Rendering. Pitch ; Temperament ; Tempo and Rubato ; Rhythm ; Phrasing ; Articulation ; Dynamics ; Orchestration-Instrumentation-Arrangement ; Basso Continuo ; Ornamentation ; Cadenzas ; Improvisation ; Manuscript-Print-Revision-Modern Editions ; The Audience's Attitude ; The Performer's Attitude ; Emotion and Affect ; The Mirror ; The Two-Fold Concept of Authenticity -- Outlook -- Sources of Inspiration. 
520 |a Written by a leading authority and artist of the historical transverse flute, this book offers invaluable insight into the issues of historically-informed performance and the parameters - and limitations - of notation-dependent performance. As the author illustrates, performers of historical music should consider what is written on the page as a mere steppingstone for performance. Only by continual examination and reexamination of the sources to discover original intent can an early music practitioner come close to authentic performance. 
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776 0 8 |i Print version:  |a Kuijken, Barthold.  |t Notation Is Not the Music : Reflections on Early Music Practice and Performance.  |d Bloomington : Indiana University Press, ©2013  |z 9780253010605 
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