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920212s1992 nju ob 001 0 eng d |
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|a KIJ
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|a 92004682
|2 Uk
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|a 889252725
|a 1057941845
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|a 0691069514
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|a 9780691069517
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|a 9781400863037
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|a (OCoLC)855710336
|z (OCoLC)889252725
|z (OCoLC)1057941845
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|a e-fr---
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|a PS374.P7
|b R37 1992
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|a UAMI
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|a Rashkin, Esther,
|d 1951-
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|a Family secrets and the psychoanalysis of narrative /
|c Esther Rashkin.
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|a Princeton, N.J. :
|b Princeton University Press,
|c ©1992.
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|a 1 online resource (206 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a data file
|2 rda
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|a Includes bibliographical references and index.
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|a Machine derived contents note: Table of contents for Family secrets and the psychoanalysis of narrative / Esther Rashkin. -- Bibliographic record and links to related information available from the Library of Congress catalog -- Information from electronic data provided by the publisher. May be incomplete or contain other coding. -- Acknowledgments Note on Documentation Introduction: Character Analysis, Unspeakable Secrets, and the Formation of Narrative 3 Ch. 1 For a New Psychoanalytic Literary Criticism: The Works of Abraham and Torok 13 Ch. 2 The Ghost of a Secret: Psychoanalytic Allegory in Joseph Conrad's The Secret Sharer 49 Ch. 3 The Interred Sign: L'intersigne by Auguste de Villiers de l'Isle-Adam 64 Ch. 4 Legacies of Gold: Honore de Balzac's Facino Cane 81 Ch. 5 In the Mind's I: The Jolly Corner of Henry James 93 Ch. 6 A Meeting of the Minds: Edgar Allan Poe's The Fall of the House of Usher 123 Conclusion 156 Notes 167 Index 201.
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|a Family Secrets and the Psychoanalysis of Narrative is the first book to explore the implications of the psychoanalytic theory of the phantom for the study of narrative literature. A phantom is formed when a shameful, unspeakable secret is unwittingly transmitted, through cryptic language and behavior, transgenerationally from one family member to another. The "haunted" individual to whom the "encrypted" secret is communicated becomes the unwitting medium for someone else's voice--and the result is speech and conduct that appear incongruous or obsessive in a variety of ways. Through close readings of texts by Conrad, Villiers de l'Isle-Adam, Balzac, James, and Poe, Esther Rashkin reveals how shameful secrets, concealed within the unspoken family histories of fictive characters, can be reconstructed from their linguistic traces and can be shown not only to drive the characters' speech and behavior but also to generate their narratives. First articulated by the French psychoanalysts Nicolas Abraham and Maria Torok, the theory of the phantom here represents a radical departure from Freudian, Lacanian, and other psychoanalytic approaches to literary interpretation. In Rashkin's hands, it also provides a response to structuralist and poststructuralist critiques of character analysis, an alternative to deconstructive strategies of reading, and a new vantage point from which to consider problems of intertextuality, "authorship," and the formation and origins of narrative.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Short stories, American
|x History and criticism
|x Theory, etc.
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|a Short stories, English
|x History and criticism
|x Theory, etc.
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|a Short stories, French
|x History and criticism
|x Theory, etc.
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|a Psychoanalysis and literature
|z English-speaking countries.
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|a Psychoanalysis and literature
|z France.
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|a Secrecy in literature.
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|a Families in literature.
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|a Narration (Rhetoric)
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|a Nouvelles américaines
|x Histoire et critique
|x Théorie, etc.
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|a Nouvelles anglaises
|x Histoire et critique
|x Théorie, etc.
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|a Nouvelles françaises
|x Histoire et critique
|x Théorie, etc.
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|a Psychanalyse et littérature
|z Anglophonie.
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|a Psychanalyse et littérature
|z France.
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|a Secret dans la littérature.
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|a Familles dans la littérature.
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|a Narration.
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|a Families in literature.
|2 fast
|0 (OCoLC)fst00920365
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|a Narration (Rhetoric)
|2 fast
|0 (OCoLC)fst01032927
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|a Psychoanalysis and literature.
|2 fast
|0 (OCoLC)fst01081273
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|a Secrecy in literature.
|2 fast
|0 (OCoLC)fst01110653
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|a English-speaking countries.
|2 fast
|0 (OCoLC)fst01261775
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|a France.
|2 fast
|0 (OCoLC)fst01204289
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|i Print version:
|a Rashkin, Esther, 1951-
|t Family secrets and the psychoanalysis of narrative.
|d Princeton, N.J. : Princeton University Press, ©1992
|w (DLC) 92004682
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt7zv01s
|z Texto completo
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|b EBRY
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|a Project MUSE
|b MUSE
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|a YBP Library Services
|b YANK
|n 11997466
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|a 92
|b IZTAP
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