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From Fidelity to History : Film Adaptations as Cultural Events in the Twentieth Century.
Scholarly approaches to the relationship between literature and film, ranging from the traditional focus upon fidelity to more recent issues of intertextuality, all contain a significant blind spot: a lack of theoretical and methodological attention to adaptation as an historical and transnational p...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Berghahn Books,
2013.
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| Colección: | Transatlantic perspectives.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Illustrations; Acknowledgments; Introduction
- Adaptation as Reception: How Film Historians Can Contribute to the Literature to Film Debates; Part I
- Post-Cold War Readings of the Receptions of Blockbuster Adaptations in Cold War West Germany 1950-1963; Chapter One
- ""Eine Revolution des Films"": The Third Man, The Cold War, and Alternatives to Nationalism and Coca-Colonization in Europe; Chapter Two
- The Bridge on the River Kwai Revisted: Combat Cinema, American Culture, and the German Past.
- Chapter Three
- ""Josef K. von 1963"": Orson Welles's Americanized Version of The Trial and the Changing Functions of the Kafkaesque in Postwar West GermanyPart II
- Postfeminist Relations between Classic Texts and Hollywood Film Adaptations in the U.S. in the 1990s; Chapter 4
- Jane-Mania: The Jane Austen Film Boom in the 1990s; Chapter 5
- Thelma and Sense and Louise and Sensibility: Challenging Dichotomies in Women's History through Film and Literature; Chapter 6
- Jamesian Proportions: The Henry James Film Boom in the 1990s.
- Conclusion
- A Case for the Case Study: The Future of Adaptation Studies as a Branch of Transnational Film HistoryAppendix 1
- Mediating Apparent and Latent Content; Appendix 2
- Model of Adaptation as a Process of Reception; Filmography; Bibliography; Index.