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Transnational Film Culture in New Zealand.
This book is an investigation into the transnational nature of 'film culture', taking the film culture of one country - New Zealand - as a case study to investigate the dynamics of such a culture. 'Film culture' is used here to refer to the network of discursive and non-discursiv...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol :
Intellect,
2013.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Sigley, Simon. | |
| 245 | 1 | 0 | |a Transnational Film Culture in New Zealand. |
| 260 | |a Bristol : |b Intellect, |c 2013. | ||
| 300 | |a 1 online resource (296 pages) | ||
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| 505 | 0 | |a Cover; Half Title; Title; Copyright; Table of Contents; Foreword; Introduction; Chapter 1: In Defence of Films as Art; The Overseas Context; Film Availability in New Zealand; The Auckland Film Society (1929); The Auckland Star Film Reviews; Chapter 2: Second Thoughts About Art; The Wellington Film Society (1933); The Road to Ruin; A Parliamentary Inquiry; Turning Left; The Federation of Film Societies; The Film Institutes (1934-39); Chapter 3: Thesis and Antithesis -- Tomorrow on Film; Early Film Criticism; Defending the Cinema; The Importance of Documentaries; The Cinema and Education. | |
| 505 | 8 | |a Other ContributionsChapter 4: Public Policy and Private Enterprise; Institutions and Agents; The National Film Library; Independent Film Distribution; Film Criticism Goes National; Chapter 5: Building the Cultural Infrastructure; The Revival; Developing Discursive Practices; Collaboration with Business; The Perils of Passivity; Chapter 6: Happy Together: Education, Networks, Festivals; Magazines and Film Classes; The Winter Film School; Commerce and Co-operation; At the Art-house; Chapter 7: Nouvelle Vague: Film Culture Meets Counterculture; The Auckland International Film Festival (1969). | |
| 505 | 8 | |a Youth Culture and Film Censorship: 1930s ReduxThe Wellington Film Festival; Some Conclusions; Chapter 8: Between Spectacle and Memory; Film Festival Expansion; Programming the Nation; Festival Professionalization; Creating a Memory Site; Born in Poverty; The Last Film Search (1993-2000); Roadmap for the Future; Conclusion; Index; Back Cover. | |
| 520 | |a This book is an investigation into the transnational nature of 'film culture', taking the film culture of one country - New Zealand - as a case study to investigate the dynamics of such a culture. 'Film culture' is used here to refer to the network of discursive and non-discursive activities associated with the idea of film as art. The term 'culture' is used in the cultural studies sense - that is, seen from a combination of perspectives including anthropology, intellectual history, and textual studies. | ||
| 504 | |a Includes bibliographical references and index. | ||
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| 650 | 0 | |a Motion pictures |z New Zealand |x History. | |
| 650 | 6 | |a Cinéma |z Nouvelle-Zélande |x Histoire. | |
| 650 | 7 | |a TECHNOLOGY & ENGINEERING / Power Resources / General |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a New Zealand |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Sigley, Simon. |t Transnational Film Culture in New Zealand. |d Bristol : Intellect, ©2013 |z 9781841506609 |
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