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Versions of Hollywood crime cinema : studies in Ford, Wilder, Coppola, Scorsese and others /
This book is intended as a kind of sequel to the one that published in 2002 titled The Incomplete Projects: Marxism, Modernity, and the Politics of Culture. The current volume is designed to be completely free-standing and fully intelligible on its own. In this book, Freedman focuses on Francis Ford...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol, UK ; Chicago, IL :
Intellect,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Half Title; Title; Copyright; Dedication; Table of Contents; Acknowledgments; Introduction; SECTION I: Gangsterism and Capitalism: The Mob Movie and After; The supplement of Coppola: Primitive accumulation and the Godfather trilogy; Hobbes after Marx, Scorsese after Coppola: On GoodFellas; Tony Soprano and the end(s) of the mob movie; SECTION II: Noir and its Discontents; Marxism, cinema, and some dialectics of film noir and science fiction; Noir, neo-noir, and the end of work: From Double Indemnity to Body Heat; SECTION III: Empire and Gender in the John Wayne Western.
- Versions of the American imperium in three Westerns by John FordPost-heterosexuality: John Wayne and the construction of American masculinity; Notes; Index; Back Cover.