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Versions of Hollywood crime cinema : studies in Ford, Wilder, Coppola, Scorsese and others /
This book is intended as a kind of sequel to the one that published in 2002 titled The Incomplete Projects: Marxism, Modernity, and the Politics of Culture. The current volume is designed to be completely free-standing and fully intelligible on its own. In this book, Freedman focuses on Francis Ford...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol, UK ; Chicago, IL :
Intellect,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Freedman, Carl Howard, |e author. | |
| 245 | 1 | 0 | |a Versions of Hollywood crime cinema : |b studies in Ford, Wilder, Coppola, Scorsese and others / |c Carl Freedman. |
| 264 | 1 | |a Bristol, UK ; |a Chicago, IL : |b Intellect, |c 2013. | |
| 300 | |a 1 online resource (x, 189 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 505 | 0 | |a Cover; Half Title; Title; Copyright; Dedication; Table of Contents; Acknowledgments; Introduction; SECTION I: Gangsterism and Capitalism: The Mob Movie and After; The supplement of Coppola: Primitive accumulation and the Godfather trilogy; Hobbes after Marx, Scorsese after Coppola: On GoodFellas; Tony Soprano and the end(s) of the mob movie; SECTION II: Noir and its Discontents; Marxism, cinema, and some dialectics of film noir and science fiction; Noir, neo-noir, and the end of work: From Double Indemnity to Body Heat; SECTION III: Empire and Gender in the John Wayne Western. | |
| 505 | 8 | |a Versions of the American imperium in three Westerns by John FordPost-heterosexuality: John Wayne and the construction of American masculinity; Notes; Index; Back Cover. | |
| 520 | |a This book is intended as a kind of sequel to the one that published in 2002 titled The Incomplete Projects: Marxism, Modernity, and the Politics of Culture. The current volume is designed to be completely free-standing and fully intelligible on its own. In this book, Freedman focuses on Francis Ford Coppola's Godfather trilogy - arguably the foremost work of crime cinema - using it to reflect on the Marxist category of primitive accumulation and the relationship between ""gangsterism and capitalism"". The volume also includes in-depth critiques of classics of film noir (including Double Indemni. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references (pages 165-172) and index. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Crime films |x History and criticism. | |
| 650 | 6 | |a Films criminels |x Histoire et critique. | |
| 650 | 7 | |a TECHNOLOGY & ENGINEERING / Power Resources / General |2 bisacsh | |
| 650 | 7 | |a Crime films |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Freedman, Carl Howard. |t Versions of Hollywood crime cinema. |d Bristol, UK ; Chicago, IL : Intellect, 2013 |z 9781783201341 |w (OCoLC)851694455 |
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