Cargando…
The cinema of Steven Spielberg : empire of light /
Cinema's most successful director is a commercial and cultural force demanding serious consideration. Not just triumphant marketing, this international popularity is partly a function of the movies themselves. Polarised critical attitudes largely overlook this, and evidence either unquestioning...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Columbia University Press,
2007.
|
| Colección: | Directors' cuts.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Acknoledgements; Introduction: The Critical Context; 1. Close Encounters of the Third Kind: tripping the light fantastic; 2. Duel: the descent of Mann; 3. The Sugarland Express: a light comedy?; 4. Jaws: searching the depths; 5. 1941: war on Hollywood; 6. Raiders of the Lost Ark: lights, camera, action; 7. E.T. The Extra-Terrestrial: turn on your love light; 8. Twilight Zone: The Movie: magic lantern man overshadowed; 9. Indiana Jones and the Temple of Doom: anything goes; 10. The Color Purple: sisters and brothers; 11. Empire of the Sun: shanghai showmanship.
- 12. Indiana Jones and the Last Crusade: cut to the chase13. Always: light my fire; 14. Hook: an awfully big Pan(a)vision adventure; 15. Jurassic Park: another monster hit; 16. Schindler's List: darkness visible; 17. The Lost World: Jurassic Park: more digital manipulation; 18. Amistad: black and white in color; 19. Saving Private Ryan: Hollywood on war; 20. A.I. Artificial Intelligence: eyes wide open; 21. Minority Report: through a glass, darkly; 22. Catch Me If You Can: captured on celluloid; 23. The Terminal: all that jazz; 24. War of the Worlds: rays in the mirror.
- 25. Munich: bitter fruit on the olive branch26. Audiences, subjectivity and pleasure; Bibliography; Index.