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JSTOR_ocn854970429 |
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cr cnu---unuuu |
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130803s2013 msu o 000 0 eng d |
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|d OCLCA
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|d OCLCO
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|a 9781621039860
|q (electronic bk.)
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|a 1621039862
|q (electronic bk.)
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|a AU@
|b 000055906209
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|a (OCoLC)854970429
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|a 22573/ctt23kpmf
|b JSTOR
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|a D6DA62C1-CB04-4850-941E-62E7D4A76421
|b OverDrive, Inc.
|n http://www.overdrive.com
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|a n-us---
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|a PN6725
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|a LIT017000
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|a CGN005000
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|a 741.5973
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|a UAMI
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|a Gabilliet, Jean-Paul.
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|a Of Comics and Men :
|b a Cultural History of American Comic Books.
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|a Jackson :
|b University Press of Mississippi,
|c 2013.
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|a 1 online resource (733 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Print version record.
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|a Cover Page; Title Page; Copyright Page; Contents; Translators' Preface; Introduction; Part One: Seventy Years' Worth of Images; Chapter 1: From Comics to Comic Books (1842-1936); Chapter 2: The Beginnings of an Industry: Comics Magazines (1936-1940); Chapter 3: Comic Books at War (1940-1945); Chapter 4: Ever More-The Apogee and the Fall (1945-1954); Chapter 5: Decline and Rebirth (1955-1962); Chapter 6: The Age of Innovation (1963-1969); Chapter 7: Research and Development by Trial and Error (1969-1979); Chapter 8: The Recovery of the 1980s (1980-1993).
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|a Chapter 9: The End of a Century and the Beginning of a New Century (1993- )Part Two: Producers and Consumers; Chapter 10: Production; Chapter 11: The Business of Comic Books; Chapter 12: The Creators; Chapter 13: The Readers; Part Three: A Difficult Consecration; Chapter 14: Calls for Censorship; Chapter 15: Internal Consecration; Chapter 16: External Consecration; Chapter 17: Conclusion; Appendix: Self-Regulating Codes of the Comic Book Industry; Notes; Bibliographic Essay; Acknowledgments; Index; Footnotes; AppFn.
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|a Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. A thorough introduction by translators and comics scholars Bart Beaty and Nick Nguyen brings the book up to date with explorations.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Comic books, strips, etc.
|z United States
|x History and criticism.
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|a LITERARY CRITICISM
|x Comics & Graphic Novels.
|2 bisacsh
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|a Comic books, strips, etc.
|2 fast
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|a United States
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a Beaty, Bart.
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|a Nguyen, Nick.
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776 |
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|i Print version:
|a Gabilliet, Jean-Paul.
|t Of Comics and Men : A Cultural History of American Comic Books.
|d Jackson : University Press of Mississippi, ©2013
|z 9781617038556
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt24hwgr
|z Texto completo
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|a ProQuest Ebook Central
|b EBLB
|n EBL1123361
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938 |
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|a YBP Library Services
|b YANK
|n 10899185
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|a 92
|b IZTAP
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