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Inventions of the skin : the painted body in early English drama, 1400-1642 /
Examines the painted body of the actor on the early modern stage. Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface an...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
©2013.
|
| Colección: | Edinburgh critical studies in Renaissance culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Stevens, Andrea Ria. | |
| 245 | 1 | 0 | |a Inventions of the skin : |b the painted body in early English drama, 1400-1642 / |c Andrea Ria Stevens. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c ©2013. | |
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Edinburgh Critical Studies in Renaissance Culture | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Light : staging divinity in the York cycle -- Blood : enter Martius, painted -- Black : mastering masques of blackness -- Stone : lost ladies. | |
| 506 | |a Owing to Legal Deposit regulations this resource may only be accessed from within National Library of Scotland. For more information contact enquiries@nls.uk. |5 StEdNL | ||
| 520 | |a Examines the painted body of the actor on the early modern stage. Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in York's Corpus Christi play, with special attention to the pageant representing The Transfiguration of Christ; bloodiness in Elizabethan and Jacobean drama, specifically blood's unexpected role as a device for disguise in plays such as Look About You (anon.) and Shakespeare's Coriolanus; racial masquerade within seventeenth-century court performances and popular plays, from Ben Jonson's Masque of Blackness to William Berkeley's The Lost Lady; and finally whiteface, death, and stoniness" in Thomas Middleton's The Second Maiden's Tragedy and Shakespeare's The Winter's Tale. Recovering a crucial grammar of theatrical representation, this book argues that the onstage embodiment of characters-not just the words written for them to speak-forms an important and overlooked aspect of stage representation. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a English drama |y Early modern and Elizabethan, 1500-1600 |x History and criticism. | |
| 650 | 0 | |a English drama |y To 1500 |x History and criticism. | |
| 650 | 0 | |a English drama |y 17th century. | |
| 650 | 6 | |a Théâtre anglais |y 16e siècle |x Histoire et critique. | |
| 650 | 6 | |a Théâtre anglais |y Jusqu'à 1500 |x Histoire et critique. | |
| 650 | 6 | |a Théâtre anglais |y 17e siècle. | |
| 650 | 7 | |a DRAMA |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x Shakespeare. |2 bisacsh | |
| 650 | 7 | |a English drama |2 fast | |
| 650 | 7 | |a English drama |x Early modern and Elizabethan |2 fast | |
| 650 | 7 | |a Drama |2 gnd | |
| 650 | 7 | |a Englisch |2 gnd | |
| 650 | 7 | |a Maskenbildnerei |2 gnd | |
| 650 | 7 | |a Aufführung |2 gnd | |
| 650 | 7 | |a Englisch. |2 gnd |0 (DE-601)106338749 | |
| 650 | 7 | |a Drama. |2 gnd |0 (DE-601)104589787 | |
| 650 | 7 | |a Aufführung. |2 gnd |0 (DE-601)104653361 | |
| 650 | 7 | |a Maskenbildnerei. |2 gnd |0 (DE-601)105665959 | |
| 648 | 7 | |a To 1699 |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Stevens, Andrea Ria. |t Inventions of the skin |z 9780748670499 |w (OCoLC)825735201 |
| 830 | 0 | |a Edinburgh critical studies in Renaissance culture. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctt5hh2w0 |z Texto completo |
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