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Pleading in the blood : the art and performances of Ron Athey /
Ron Athey is an iconic figure in contemporary art and performance. In his frequently bloody portrayals of life, death, crisis, and fortitude in the time of AIDS, Athey calls into question the limits of artistic practice. These limits enable Athey to explore key themes including gender, sexuality, ra...
| Clasificación: | Libro Electrónico |
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| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London : Bristol ; Chicago, IL :
Live Art Development Agency ; Intellect,
2013.
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| Colección: | Intellect live.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Title; Copyright; Contents; FOREWORD; INTRODUCTION: TOWARDS A MORAL AND JUST PSYCHOPATHOLOGY; GIFTS OF THE SPIRIT; 'THERE ARE MANY WAYS TO SAY HALLELUJAH!'; 'DOES A BLOODY TOWEL REPRESENT THE IDEALS OF THE AMERICAN PEOPLE?': RON ATHEY AND THE CULTURE WARS; BOMBS AWAY IN FRONT-LINE SUBURBIA; DELIVERANCE: THE 'TORTURE TRILOGY' IN RETROSPECT; THE IRREPLACEABLE BODIES: RESISTANCE THROUGH FEROCIOUS FRAGILITY; ATHEY-ISM, COLLABORATION, AND HUSTLER WHITE; SEX WITH RON; THE MAN AND HIS TATTOOS (BY THE MAN WHO DID THEM); THE MILK FACTORY ON WINCHESTER; FLASH: ON PHOTOGRAPHING RON ATHEY.
- HOW RON ATHEY MAKES ME FEEL: THE POLITICAL POTENTIAL OF UPSETTING ARTRAISED IN THE LORD: REVELATIONS AT THE KNEE OF MISS VELMA; JOYCE: THE VIOLENT DISBELIEF OF RON ATHEY; JUDAS CRADLE: INVASIVE RESONANCE; ILLICIT TRANSIT; BY WORD OF MOUTH: RON ATHEY'S SELF-OBLITERATION; THE NEW BARBARIANS: A DECLARATION OF POETIC DISOBEDIENCE FROM THE NEW BORDER; FURTHER READING; AUTHOR BIOGRAPHIES; ACKNOWLEDGEMENTS; INDEX; UNTITLED; BackCover.