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Javanese gamelan and the West /

In 'Javanese Gamelan and the West', gamelan performer and scholar Sumarsam explores the concept of hybridity in performance traditions that have developed in the context of Javanese encounters with the West. The book begins by looking at the ""domestication"" of Western...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Sumarsam (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Rochester, NY : Woodbridge, Suffolk : University of Rochester Press ; Boydell & Brewer Limited, [2013]
Colección:Eastman/Rochester studies in ethnomusicology.
Temas:
Acceso en línea:Texto completo

MARC

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504 |a Includes bibliographical references and index. 
505 0 |a Part One. Hybridity in Javanese performing arts. Performing colonialism -- Performing the nation state -- Opera Diponegoro -- Part Two. Gamelan as intercultural object. Deterritorializing and appropriating gamelan -- Cross-cultural perspectives on gamelan theory: metaphorical readings of gamelan -- Conclusion. 
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520 |a In 'Javanese Gamelan and the West', gamelan performer and scholar Sumarsam explores the concept of hybridity in performance traditions that have developed in the context of Javanese encounters with the West. The book begins by looking at the ""domestication"" of Western music in Javanese performance traditions during the colonial and postcolonial era. In the second part of the book, Sumarsam turns to the presentation and representation of gamelan in the West, exploring cross-cultural perspectives on gamelan theory and discussing the presence of gamelan in Western World's Fairs and American aca. 
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650 0 |a Gamelan music  |z Western countries  |x History and criticism. 
650 6 |a Gamelan, Musique de  |z Indonésie  |z Java  |x Histoire et critique. 
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