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The ghosts of the avant-garde(s) : exorcising experimental theater and performance /
Pronouncements such as "the avant-garde is dead," argues the author, have suggested a unified history or theory of the avant-garde. This book examines the diversity and plurality of avant-garde gestures and expressions to suggest "avant-garde pluralities" and how an appreciation...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ann Arbor :
University of Michigan Press,
[2013]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Harding, James Martin, |d 1958- | |
| 245 | 1 | 4 | |a The ghosts of the avant-garde(s) : |b exorcising experimental theater and performance / |c James M. Harding. |
| 264 | 1 | |a Ann Arbor : |b University of Michigan Press, |c [2013] | |
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| 520 | |a Pronouncements such as "the avant-garde is dead," argues the author, have suggested a unified history or theory of the avant-garde. This book examines the diversity and plurality of avant-garde gestures and expressions to suggest "avant-garde pluralities" and how an appreciation of these pluralities enables a more dynamic and increasingly global understanding of vanguardism in the performing arts. In pursuing this goal, the book not only surveys a wide variety of canonical and noncanonical examples of avant-garde performance, but also develops a range of theoretical paradigms that defend the haunting cultural and political significance of avant-garde expressions beyond what critics have presumed to be the death of the avant-garde. This book offers a striking perspective not only on key controversies and debates within avant-garde studies, but also on contemporary forms of avant-garde expression within a global political economy. -- |c Provided by publisher. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction : avant-garde pluralities, an introduction -- Avant-garde rhetoric : show trials and collapsing discourse at the birth of surrealism -- From anti-culture to counter-culture : the emergence of the American hybrid vanguardism -- Critique of the artist as (re)producer : Warhol, The Living Theatre, and Frankenstein -- Brechtian aesthetics and the death of the director in Peter Brook's The Mahabharata -- From cutting edge to rough edges : on the transnational foundations of avant-garde performance -- Performing the vanquished vanguards : nostalgia, globalization, and the possibility of avant-gardes -- Victims of history and the ghosts of the avant-gardes : a plausibly deniable conclusion. | |
| 546 | |a English. | ||
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| 650 | 0 | |a Experimental theater |x History and criticism. | |
| 650 | 0 | |a Experimental drama |x History and criticism. | |
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| 776 | 0 | 8 | |i Print version: |a Harding, James Martin, 1958- |t Ghosts of the avant-garde(s). |d Ann Arbor : University of Michigan Press, [2013] |z 9780472118748 |w (DLC) 2012042609 |w (OCoLC)820119245 |
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