Elgar's earnings /

Although Elgar achieved fame, status and recognition in his lifetime, his earnings did not match the standard of living to which he aspired.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Drysdale, John D.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Woodbridge, Suffolk : Boydell Press, 2013.
Temas:
Elgar, Edward, > 1857-1934.
Elgar, Edward, > 1857-1934
Music publishers > Great Britain.
Wages > Composers.
BIOGRAPHY & AUTOBIOGRAPHY > Composers & Musicians.
MUSIC > Individual Composer & Musician.
MUSIC > Business Aspects.
Music publishers
Great Britain
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Frontcover
  • Contents
  • Preface
  • Introduction
  • 1 Opportunities for British Composers
  • Economic Factors
  • Attitudes to Work
  • Rational Recreation
  • Religious Influences
  • The Reordering of Music
  • Sacred Music
  • Parish Churches
  • Cathedrals
  • Choral Societies
  • The English Musical Renaissance
  • Concerts and Opera
  • 2 Authors, Painters and Composers
  • Authors
  • The Terms Available
  • Distribution
  • Literary Agents
  • Authors' Earnings
  • Anthony Trollope
  • Mary Ann Evans (George Eliot)
  • Charles Dickens
  • The Society of Authors
  • Painters
  • The Demand for Paintings
  • The Artist and the Market
  • Artists' Earnings
  • Composers
  • The Performing Right
  • The Law
  • The Copyright Commission 1875-76
  • Some Practical and Commercial Considerations
  • The Thirteen as Twelve Trade Custom
  • The Sale or Hire of Parts
  • Other Points
  • The Failure to Come Together
  • Sir Arthur Sullivan
  • 3 Novello and the Music Publishing Business
  • The Rise of Novello up to 1866
  • The Catalogues 1904 to 1907
  • Church Services, Canticles, Anthems and Hymns
  • Glees, Madrigals, Part-Songs and Choruses
  • Oratorios, Cantatas and Other Works
  • Tonic Sol-fa
  • Other
  • The Business 1898 to 1914
  • The Business 1915 to 1934
  • Novello's Financial Arrangements with its Composers
  • Samuel Coleridge-Taylor
  • Charles Gounod
  • Sir John Stainer and Sir Charles Stanford
  • 4 Novello, Royalties and Copyrights to 1914 and the 1904 Royalty Agreement
  • The Early Days to 1900
  • The Period 1901 to 1914
  • The 1904 Royalty Agreement
  • The End of the Agreement
  • 5 Novello, Royalties and Copyrights 1914 to 1934 and other Music Publishers
  • The War Years 1915 to 1918
  • The Period 1919 to 1921
  • The Period 1922 to 1934
  • Music Publishers
  • Boosey and Co.
  • Major Works
  • Songs and an Instrumental Work
  • The Royalties 1928 to 1933.
  • Elkin and Co. Ltd
  • Enoch & Sons
  • Keith Prowse
  • Other Music Publishers
  • 6 Royalties and Copyrights on Elgar's Major Works
  • Enigma Variations
  • The Dream of Gerontius
  • The Apostles
  • The Kingdom
  • Symphony No. 1
  • Violin Concerto
  • Symphony No. 2
  • Cello Concerto
  • 7 Elgar's Performing Fees and George Bernard Shaw
  • Novello and the PRS
  • Symphony No. 1
  • Violin Concerto
  • Symphony No. 2
  • Falstaff
  • Cello Concerto
  • Boosey, the PRS and Elgar
  • Elgar and the PRS
  • Elkin, the PRS and Elgar
  • George Bernard Shaw
  • Shaw as Publisher
  • Shaw and America
  • Shaw the Businessman
  • Shaw and his Earnings
  • 8 Elgar's Earnings from Broadcasting, Recording and Conducting
  • Broadcasting Fees
  • The BBC and the PRS
  • The PRS, the BBC and Elgar
  • Novello, the BBC and Elgar
  • Boosey, the BBC and Elgar
  • Elkin, the BBC and Elgar
  • Recording: Mechanical Fees and Royalties
  • Elgar and The Gramophone Co.
  • Conducting Fees
  • The Early Years to 1899
  • The Period 1900 to 1913
  • The War Period 1914 to 1918
  • The Period 1919 to 1934
  • Summary
  • 9 A Matter of Wills
  • 10 Epilogue
  • Appendix: Bank of England, Inflation Calculator
  • Bibliography
  • Index
  • Backcover.

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