|
|
|
|
LEADER |
00000cam a2200000Ma 4500 |
001 |
JSTOR_ocn847617190 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cn||||||||| |
008 |
100712s2013 enka ob 001 0beng d |
040 |
|
|
|a E7B
|b eng
|e pn
|c E7B
|d OCLCO
|d N$T
|d JSTOR
|d COO
|d CAMBR
|d YDXCP
|d NLGGC
|d OCLCQ
|d IOG
|d EZ9
|d OCLCQ
|d OCLCO
|d UUM
|d OCLCF
|d TXC
|d INT
|d AU@
|d OCLCQ
|d OCLCO
|d LVT
|d OCLCQ
|d OCLCO
|d UKAHL
|d OCLCQ
|d OCLCO
|
019 |
|
|
|a 1058141887
|a 1076789062
|
020 |
|
|
|a 9781782041238
|q (electronic bk.)
|
020 |
|
|
|a 1782041230
|q (electronic bk.)
|
020 |
|
|
|a 1843837412
|
020 |
|
|
|a 9781843837411
|
020 |
|
|
|z 9781843837411
|
029 |
1 |
|
|a AU@
|b 000056677476
|
035 |
|
|
|a (OCoLC)847617190
|z (OCoLC)1058141887
|z (OCoLC)1076789062
|
037 |
|
|
|a 22573/ctt29928h
|b JSTOR
|
043 |
|
|
|a e-uk---
|
050 |
|
4 |
|a ML410.E44
|b D79 2013eb
|
072 |
|
7 |
|a BIO
|x 004000
|2 bisacsh
|
072 |
|
7 |
|a MUS
|x 050000
|2 bisacsh
|
072 |
|
7 |
|a MUS004000
|2 bisacsh
|
082 |
0 |
4 |
|a 780.92
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Drysdale, John D.
|
245 |
1 |
0 |
|a Elgar's earnings /
|c John Drysdale.
|
260 |
|
|
|a Woodbridge, Suffolk :
|b Boydell Press,
|c 2013.
|
300 |
|
|
|a 1 online resource (xii, 241 pages) :
|b illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
347 |
|
|
|a data file
|2 rda
|
504 |
|
|
|a Includes bibliographical references and index.
|
505 |
0 |
|
|a Frontcover -- Contents -- Preface -- Introduction -- 1 Opportunities for British Composers -- Economic Factors -- Attitudes to Work -- Rational Recreation -- Religious Influences -- The Reordering of Music -- Sacred Music -- Parish Churches -- Cathedrals -- Choral Societies -- The English Musical Renaissance -- Concerts and Opera -- 2 Authors, Painters and Composers -- Authors -- The Terms Available -- Distribution -- Literary Agents -- Authors' Earnings -- Anthony Trollope -- Mary Ann Evans (George Eliot) -- Charles Dickens -- The Society of Authors -- Painters -- The Demand for Paintings -- The Artist and the Market -- Artists' Earnings -- Composers -- The Performing Right -- The Law -- The Copyright Commission 1875-76 -- Some Practical and Commercial Considerations -- The Thirteen as Twelve Trade Custom -- The Sale or Hire of Parts -- Other Points -- The Failure to Come Together -- Sir Arthur Sullivan -- 3 Novello and the Music Publishing Business -- The Rise of Novello up to 1866 -- The Catalogues 1904 to 1907 -- Church Services, Canticles, Anthems and Hymns -- Glees, Madrigals, Part-Songs and Choruses -- Oratorios, Cantatas and Other Works -- Tonic Sol-fa -- Other -- The Business 1898 to 1914 -- The Business 1915 to 1934 -- Novello's Financial Arrangements with its Composers -- Samuel Coleridge-Taylor -- Charles Gounod -- Sir John Stainer and Sir Charles Stanford -- 4 Novello, Royalties and Copyrights to 1914 and the 1904 Royalty Agreement -- The Early Days to 1900 -- The Period 1901 to 1914 -- The 1904 Royalty Agreement -- The End of the Agreement -- 5 Novello, Royalties and Copyrights 1914 to 1934 and other Music Publishers -- The War Years 1915 to 1918 -- The Period 1919 to 1921 -- The Period 1922 to 1934 -- Music Publishers -- Boosey and Co. -- Major Works -- Songs and an Instrumental Work -- The Royalties 1928 to 1933.
|
505 |
8 |
|
|a Elkin and Co. Ltd -- Enoch & Sons -- Keith Prowse -- Other Music Publishers -- 6 Royalties and Copyrights on Elgar's Major Works -- Enigma Variations -- The Dream of Gerontius -- The Apostles -- The Kingdom -- Symphony No. 1 -- Violin Concerto -- Symphony No. 2 -- Cello Concerto -- 7 Elgar's Performing Fees and George Bernard Shaw -- Novello and the PRS -- Symphony No. 1 -- Violin Concerto -- Symphony No. 2 -- Falstaff -- Cello Concerto -- Boosey, the PRS and Elgar -- Elgar and the PRS -- Elkin, the PRS and Elgar -- George Bernard Shaw -- Shaw as Publisher -- Shaw and America -- Shaw the Businessman -- Shaw and his Earnings -- 8 Elgar's Earnings from Broadcasting, Recording and Conducting -- Broadcasting Fees -- The BBC and the PRS -- The PRS, the BBC and Elgar -- Novello, the BBC and Elgar -- Boosey, the BBC and Elgar -- Elkin, the BBC and Elgar -- Recording: Mechanical Fees and Royalties -- Elgar and The Gramophone Co. -- Conducting Fees -- The Early Years to 1899 -- The Period 1900 to 1913 -- The War Period 1914 to 1918 -- The Period 1919 to 1934 -- Summary -- 9 A Matter of Wills -- 10 Epilogue -- Appendix: Bank of England, Inflation Calculator -- Bibliography -- Index -- Backcover.
|
520 |
|
|
|a Although Elgar achieved fame, status and recognition in his lifetime, his earnings did not match the standard of living to which he aspired.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
600 |
1 |
0 |
|a Elgar, Edward,
|d 1857-1934.
|
600 |
1 |
7 |
|a Elgar, Edward,
|d 1857-1934
|2 fast
|
650 |
|
0 |
|a Music publishers
|z Great Britain.
|
650 |
|
0 |
|a Wages
|x Composers.
|
650 |
|
7 |
|a BIOGRAPHY & AUTOBIOGRAPHY
|x Composers & Musicians.
|2 bisacsh
|
650 |
|
7 |
|a MUSIC
|x Individual Composer & Musician.
|2 bisacsh
|
650 |
|
7 |
|a MUSIC
|x Business Aspects.
|2 bisacsh
|
650 |
|
7 |
|a Music publishers
|2 fast
|
651 |
|
7 |
|a Great Britain
|2 fast
|
776 |
0 |
8 |
|i Print version:
|a Drysdale, John.
|t Elgar's Earnings.
|d Suffolk : Boydell & Brewer, ©2013
|z 9781843837411
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt2jbm2v
|z Texto completo
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH28339992
|
938 |
|
|
|a ebrary
|b EBRY
|n ebr10676908
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 552537
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 10381537
|
994 |
|
|
|a 92
|b IZTAP
|