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100602s2011 paua ob 001 0 eng d |
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|a UAMI
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|a Judaism and Christian art :
|b aesthetic anxieties from the catacombs to colonialism /
|c edited by Herbert L. Kessler and David Nirenberg.
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|a Philadelphia :
|b University of Pennsylvania Press,
|c ©2011.
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|a 1 online resource (xii, 442 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a text file
|b PDF
|2 rda
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|a Includes bibliographical references and index.
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|t Frontmatter --
|t Contents --
|t Illustrations --
|t Introduction /
|r Nirenberg, David --
|t Chapter 1. ''Pharaoh's Army Got Drownded'': Some Reflections on Jewish and Roman Genealogies in Early Christian Art /
|r Elsner, Jaś --
|t Chapter 2. Unfeigned Witness: Jews, Matter, and Vision in Twelfth-Century Christian Art /
|r Lipton, Sara --
|t Chapter 3. Shaded with Dust: Jewish Eyes on Christian Art /
|r Kessler, Herbert L. --
|t Chapter 4. Iudeus sacer: Life, Law, and Identity in the ''State of Exception'' Called ''Marian Miracle'' /
|r Prado-Vilar, Francisco --
|t Chapter 5. Abraham Circumcises Himself: A Scene at the Endgame of Jewish Utility to Christian Art /
|r Kupfer, Marcia --
|t Chapter 6. Frau Venus, the Eucharist, and the Jews of Landshut /
|r Timmermann, Achim --
|t Chapter 7. Jewish Carnality, Christian Guilt, and Eucharistic Peril in the Rotterdam-Berlin Altarpiece of the Holy Sacrament --
|t Chapter 8. The Ghetto and the Gaze in Early Modern Venice /
|r Katz, Dana E. --
|t Chapter 9. Through a Glass Darkly: Paths to Salvation in Spanish Painting at the Outset of the Inquisition /
|r Pereda, Felipe --
|t Chapter 10. Renaissance Naturalism and the Jewish Bible: Ferrara, Brescia, Bergamo, 1520-1540 /
|r Campbell, Stephen J. --
|t Chapter 11. Poussin's Useless Treasures /
|r Neer, Richard --
|t Chapter 12. Eugène Delacroix's Jewish Wedding and the Medium of Painting /
|r Ubl, Ralph --
|t Chapter 13. The Judaism of Christian Art --
|t Contributors --
|t Index --
|t Acknowledgments.
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|a Christian cultures across the centuries have invoked Judaism in order to debate, represent, and contain the dangers presented by the sensual nature of art. By engaging Judaism, both real and imagined, they explored and expanded the perils and possibilities for Christian representation of the material world.
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|a In English.
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Christian art and symbolism
|z Europe.
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|a Judaism in art.
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650 |
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|a Art, European
|x Themes, motives.
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|a Judaïsme dans l'art.
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|a Art européen
|x Thèmes, motifs.
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|
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|a ART
|x History
|x General.
|2 bisacsh
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650 |
|
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|a Art and Design.
|2 eflch
|
650 |
|
7 |
|a Art, European
|x Themes, motives.
|2 fast
|0 (OCoLC)fst00816264
|
650 |
|
7 |
|a Christian art and symbolism.
|2 fast
|0 (OCoLC)fst00858904
|
650 |
|
7 |
|a Judaism in art.
|2 fast
|0 (OCoLC)fst00984460
|
651 |
|
7 |
|a Europe.
|2 fast
|0 (OCoLC)fst01245064
|
650 |
1 |
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|a Jodendom.
|2 gtt
|
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1 |
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|a Christendom.
|2 gtt
|
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1 |
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|a Motieven (kunst)
|2 gtt
|
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|
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|a Christliche Kunst.
|2 idszbz
|
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|
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|a Jüdische Kunst.
|2 idszbz
|
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|
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|a Ikonologie.
|2 idszbz
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655 |
|
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|a Geschiedenis (vorm)
|2 gtt
|
700 |
1 |
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|a Kessler, Herbert L.,
|d 1941-
|
700 |
1 |
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|a Nirenberg, David,
|d 1964-
|
776 |
0 |
8 |
|i Print version:
|z 9781283898928
|
830 |
|
0 |
|a JSTOR EBA.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt3fj4ng
|z Texto completo
|
938 |
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|a De Gruyter
|b DEGR
|n 9780812208368
|
938 |
|
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|a ebrary
|b EBRY
|n ebr10642188
|
938 |
|
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|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis24443533
|
938 |
|
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|a Project MUSE
|b MUSE
|n muse24390
|
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|a YBP Library Services
|b YANK
|n 9969142
|
994 |
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|a 92
|b IZTAP
|