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130605s2013 enk ob 001 0 eng d |
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|a YDXCP
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|d OCLCQ
|d JSTOR
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|d STBDS
|d P@U
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|a 953030355
|a 980762767
|a 1117787092
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|a 1781705046
|q (electronic bk.)
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|a 9781781705049
|q (electronic bk.)
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|a 9781526102294
|q (electronic bk.)
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|a 1526102293
|q (electronic bk.)
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|z 9780719082252
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|z 0719082250
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|a AU@
|b 000061481563
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|a GBVCP
|b 1003734383
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|a (OCoLC)847125555
|z (OCoLC)953030355
|z (OCoLC)980762767
|z (OCoLC)1117787092
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|a 22573/ctt18mtgwq
|b JSTOR
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|a e-uk---
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|a PN1993.5.G7
|b N49 2013
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|a PER004030
|2 bisacsh
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|a 791
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|a UAMI
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|a Newland, Paul
|c (Lecturer in film studies)
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|a British films of the 1970s /
|c Paul Newland.
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|a Manchester ;
|a New York :
|b Manchester University Press,
|c 2013.
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|a 1 online resource (vii, 263 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a data file
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|a Includes bibliographical references (pages 225-249) and index.
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|a This book offers highly detailed and insightful critical analysis of a range of individual films of the period. This analysis draws upon an innovative range of critical methodologies which place the film texts within a rich variety of historical contexts. The book sets out to examine British films of the 1970s in order to get a clearer understanding of two things - the fragmentary state of the filmmaking culture of the period, and the fragmentary nature of the nation that these films represent. It argues that there is no singular narrative to be drawn about British filmmaking in the 1970s, other than the fact that these films offer evidence of a Britain (and ideas of Britishness) characterised by vicissitudes.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Motion pictures
|z Great Britain
|x History.
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|a Motion picture industry
|z Great Britain
|x History.
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|a Cinéma
|z Grande-Bretagne
|x Histoire.
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|a Cinéma
|x Industrie
|z Grande-Bretagne
|x Histoire.
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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|a Motion picture industry.
|2 fast
|0 (OCoLC)fst01027150
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650 |
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|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
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651 |
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7 |
|a Great Britain.
|2 fast
|0 (OCoLC)fst01204623
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655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
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|i Print version:
|z 9780719082252
|z 0719082250
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt18mvmvk
|z Texto completo
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH29812598
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|a Askews and Holts Library Services
|b ASKH
|n AH29812597
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|a EBSCOhost
|b EBSC
|n 1272954
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|a Project MUSE
|b MUSE
|n muse59384
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|a Oxford University Press USA
|b OUPR
|n EDZ0000125662
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|a YBP Library Services
|b YANK
|n 10253620
|
938 |
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|a YBP Library Services
|b YANK
|n 12726028
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|a 92
|b IZTAP
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