|
|
|
|
LEADER |
00000cam a2200000 a 4500 |
001 |
JSTOR_ocn845330405 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
130531s2013 nyu ob 001 0 eng d |
040 |
|
|
|a N$T
|b eng
|e pn
|c N$T
|d IDEBK
|d YDXCP
|d MHW
|d JSTOR
|d OCLCF
|d COO
|d CAMBR
|d OCL
|d OCLCQ
|d OCL
|d GZM
|d OCLCQ
|d IOG
|d NJR
|d U3W
|d MERUC
|d EZ9
|d OCLCQ
|d TXC
|d OCLCQ
|d LVT
|d UKMGB
|d UKRCM
|d UKAHL
|d SFB
|d OCLCQ
|d OCLCO
|d OCLCQ
|
015 |
|
|
|a GBB996168
|2 bnb
|
016 |
7 |
|
|a 019406164
|2 Uk
|
019 |
|
|
|a 1114052750
|
020 |
|
|
|a 9781782041061
|q (electronic bk.)
|
020 |
|
|
|a 1782041060
|q (electronic bk.)
|
020 |
|
|
|a 9781299679269
|
020 |
|
|
|a 1299679269
|
029 |
1 |
|
|a AU@
|b 000055895339
|
029 |
1 |
|
|a UKMGB
|b 019406164
|
035 |
|
|
|a (OCoLC)845330405
|z (OCoLC)1114052750
|
037 |
|
|
|a 22573/ctt2q5mnw
|b JSTOR
|
043 |
|
|
|a e-fr---
|
050 |
|
4 |
|a ML270.2
|
072 |
|
7 |
|a MUS
|x 024000
|2 bisacsh
|
072 |
|
7 |
|a LIT011000
|2 bisacsh
|
082 |
0 |
4 |
|a 780.944
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Saltzstein, Jennifer.
|
245 |
1 |
4 |
|a The refrain and the rise of the vernacular in medieval French music and poetry /
|c Jennifer Saltzstein.
|
260 |
|
|
|a Rochester, N.Y. :
|b Boydell & Brewer,
|c 2013.
|
300 |
|
|
|a 1 online resource
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
347 |
|
|
|a data file
|
490 |
1 |
|
|a Gallica ;
|v 30
|
504 |
|
|
|a Includes bibliographical references and index.
|
520 |
|
|
|a The relationship between song quotation and the elevation of French as a literary language that could challenge the cultural authority of Latin is the focus of this book. It approaches this phenomenon through a close examination of the refrain, a short phrase of music and text quoted intertextually across thirteenth- and early fourteenth-century musical and poetic genres. The author draws on a wide range of case studies to show that medieval composers quoted refrains as vernacular 'auctoritates'; she also articulates a new framework for understanding the emergence of the first two named author.
|
505 |
0 |
|
|a List of Illustrations; Acknowledgements; Author's note; Manuscript sigla; Introduction; Chapter 1: Relocating the Refrain; Chapter 2: Clerical and Monastic Contexts for the Intertextual Refrain; Chapter 3: Vernacular Wisdom and Thirteenth-Century Arrageois Song; Chapter 4: Adam de la Halle as Magister Amoris; Chapter 5: Cultivating an Authoritative Vernacular in the Music of Guillaume de Machaut; Conclusion; Bibliography; Index
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
650 |
|
0 |
|a Music
|z France
|y 15th century.
|
650 |
|
0 |
|a French poetry
|y 15th century.
|
650 |
|
6 |
|a Musique
|z France
|y 15e siècle.
|
650 |
|
7 |
|a MUSIC
|x Genres & Styles
|x International.
|2 bisacsh
|
650 |
|
7 |
|a LITERARY CRITICISM
|x Medieval.
|2 bisacsh
|
650 |
|
7 |
|a French poetry.
|2 fast
|0 (OCoLC)fst00934799
|
650 |
|
7 |
|a Music
|2 fast
|0 (OCoLC)fst01030269
|
651 |
|
7 |
|a France.
|2 fast
|0 (OCoLC)fst01204289
|
648 |
|
7 |
|a 1400-1499
|2 fast
|
830 |
|
0 |
|a Gallica (Woodbridge (Suffolk, England)) ;
|v 30.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt2tt1x4
|z Texto completo
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH36163631
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 531894
|
938 |
|
|
|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis25731537
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 10727080
|
994 |
|
|
|a 92
|b IZTAP
|