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The cinema of the Dardenne brothers : responsible realism /
The brothers Jean-Pierre and Luc Dardenne have established an international reputation for their emotionally powerful realist cinema. Inspired by their home turf of Liege-Seraing, a former industrial hub of French-speaking southern Belgium, they have crafted a series of fiction films that blends acu...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Wallflower Press Book published by Columbia University Press,
[2013]
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| Colección: | Directors' cuts.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Mosley, Philip, |d 1947- |e author. | |
| 245 | 1 | 4 | |a The cinema of the Dardenne brothers : |b responsible realism / |c Philip Mosley. |
| 264 | 1 | |a New York : |b Wallflower Press Book published by Columbia University Press, |c [2013] | |
| 300 | |a 1 online resource (vi, 152 pages) : |b illustrations. | ||
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| 490 | 1 | |a Directors' Cuts | |
| 504 | |a Includes bibliographical references (pages 141-147) and index. | ||
| 504 | |a Includes filmography (pages 134-140). | ||
| 520 | 8 | |a The brothers Jean-Pierre and Luc Dardenne have established an international reputation for their emotionally powerful realist cinema. Inspired by their home turf of Liege-Seraing, a former industrial hub of French-speaking southern Belgium, they have crafted a series of fiction films that blends acute observation of life on the social margins with moral fables for the postmodern age. This volume analyses the brothers' career from their leftist video documentaries of the 1970s and 1980s through their debut as directors of fiction films in the late 1980s and early 1990s to their six major achievements from 'The Promise' (1996) to 'The Kid with a Bike' (2011), an oeuvre that includes two Golden Palms at the Cannes film festival, for 'Rosetta' (1999) and 'The Child' (2005). It argues that the ethical dimension of the Dardennes' work complements rather than precludes their sustained expression of a fundamental political sensibility. | |
| 505 | 0 | |a Acknowledgments; 1. Responsible Realists; 2. Cinematic Reference Points; 3. The Video Documentaries, 1974-83; 4. Foraying into Fiction, 1986-92; 5. Breakthrough: The Promise, 1996; 6. First Plame d""Or: Rosetta, 1999; 7. Pushing the Envelope: The Son, 2002; 8. Second Palme d'Or, The Child, 2005; 9. A Minor Shift: The Silence of Lorna, 2008; Afterword: The Kid with a Bike, 2011; Filmography; Bibliography; Index. | |
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Dardenne, Jean-Pierre, |d 1951- |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Dardenne, Luc, |d 1954- |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Dardenne, Jean-Pierre, |d 1951- |2 fast |
| 600 | 1 | 7 | |a Dardenne, Luc, |d 1954- |2 fast |
| 650 | 0 | |a Motion picture producers and directors |z Belgium |v Biography. | |
| 650 | 0 | |a Realism in motion pictures |x History and criticism. | |
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| 650 | 6 | |a Producteurs et réalisateurs de cinéma |z Belgique |v Biographies. | |
| 650 | 6 | |a Réalisme au cinéma |x Histoire et critique. | |
| 650 | 6 | |a Cinéma |z Belgique |x Histoire. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
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| 776 | 0 | 8 | |i Print version: |a Mosley, Philip. |t Cinema of the Dardenne brothers. |d New York : Wallflower Press Book published by Columbia University Press, [2013] |z 9780231163286 |w (DLC) 2013455268 |w (OCoLC)794036303 |
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