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|a Lord, Albert Bates.
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|a Epic singers and oral tradition /
|c Albert Bates Lord.
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|a Ithaca :
|b Cornell University Press,
|c 1991.
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|a 1 online resource (xii, 262 pages)
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|a text
|b txt
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|a Myth and poetics
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|a Spine title: Epic singers & oral tradition.
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|a Includes bibliographical references (pages 245-257) and index.
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|a Words heard and words seen -- Homer's originality : oral dictated texts -- Homeric echoes in Bihać -- Avdo Međedović, Guslar -- Homer as an original-traditional poet -- The Kalevala, the south Slavic epics, and Homer -- Beowulf and Odysseus -- Interlocking mythic patterns in Beowulf -- The formulaic structure of introductions to direct discourse in Beowulf and Elene -- The influence of a fixed text -- Notes on Digenis Akritas and Serbo-Croatian epic -- Narrative themes in Bulgarian oral-traditional epic and their medieval roots -- Central Asiatic and Balkan epic.
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|a Print version record.
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|3 Use copy
|f Restrictions unspecified
|2 star
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
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|a Albert Bates Lord here offers an unparalleled overview of the nature of oral-traditional epic songs and the practices of the singers who composed them. Shaped by the conviction that theory should be based on what singers actually do, and have done in times past, the essays collected here span half a century of Lord's research on the oral tradition from Homer to the twentieth century. Drawing on his extensive fieldwork in living oral traditions and on the theoretical writings of Milman Parry, Lord concentrates on the singers and their art as manifested in texts of performance. In thirteen essays, some previously unpublished and all of them revised for book publication, he explores questions of composition, transmittal, and interpretation and raises important comparative issues. Individual chapters discuss aspects of the Homeric poems, South Slavic oral-traditional epics, the songs of Avdo Metedovic, Beowulf and Anglo-Saxon poetry, the medieval Greek Digenis Akritas and other medieval epics, central Asiatic and Balkan epics, the Finnish Kalevala, and the Bulgarian oral epic. The work of one of the most respected scholars of his generation, Epic Singers and Oral Tradition will be an invaluable resource for scholars and students of myth and folklore, classicists, medievalists, Slavists, comparatists, literary theorists, and anthropologists.
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|b Books at JSTOR Evidence Based Acquisitions
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|a Oral tradition.
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|a Oral-formulaic analysis.
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|a Epic poetry
|x History and criticism.
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|a Oral tradition
|x History and criticism.
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|a Tradition orale
|x Histoire et critique.
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|a Analyse des formules orales.
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|a Poésie épique
|x Histoire et critique.
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|a Tradition orale.
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|a LITERARY CRITICISM
|x Fairy Tales, Folk Tales, Legends & Mythology.
|2 bisacsh
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|a Epic poetry
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|a Oral-formulaic analysis
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|a Oral tradition
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|a Sänger
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|a Mündliche Literatur
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|a Epik
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|a Geschichte
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|a Epic poetry
|a History and criticism
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|a Geschichte
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|a Oral tradition
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|a Oral-formulaic analysis
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|a Criticism, interpretation, etc.
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|a Epic singers & oral tradition.
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|i Print version:
|a Lord, Albert Bates.
|t Epic singers and oral tradition.
|d Ithaca : Cornell University Press, 1991
|w (DLC) 90055888
|w (OCoLC)22543354
|
830 |
|
0 |
|a Myth and poetics.
|
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