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Veiled desires : intimate portrayals of nuns in postwar Anglo-American film /

In her vibrant screen performance as Sister Benedict in The Bells of St. Mary's, Ingrid Bergman represented the film nun as a mature modern woman who had chosen the religious life with a "complete understanding" of both erotic and spiritual desire. How did this engaging character and...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Sabine, Maureen
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Fordham University Press, 2013.
Edición:1st ed.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Sabine, Maureen. 
245 1 0 |a Veiled desires :  |b intimate portrayals of nuns in postwar Anglo-American film /  |c Maureen Sabine. 
250 |a 1st ed. 
260 |a New York :  |b Fordham University Press,  |c 2013. 
300 |a 1 online resource 
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504 |a Includes bibliographical references and index. 
505 0 |a Introduction -- Selfless desires : sacrificial and self-fulfilling service to others in Casablanca (1942), The bells of St. Mary's (1945), and The inn of the sixth happiness (1958) -- Sexual desires : repression and sublimation in Black narcissus (1947), Heaven knows, Mr. Allison (1957), and, Sea wife (1957) -- Subjective desires : the role of the Catholic family romance in The nun's story (1959) -- Sonorous desires : sweet, spirited, and stirring voices in The sound of music (1965) and Change of habit (1969) -- Sacred desires : passion and pathology in In this house of Brede (1975) and Agnes of God (1985) -- Spiritual desires : sin, suffering, death, and salvation in Dead man walking (1995) -- Conclusion : suspect desires : the end of a religious illusion in Doubt (2008). 
588 0 |a Print version record. 
520 |a In her vibrant screen performance as Sister Benedict in The Bells of St. Mary's, Ingrid Bergman represented the film nun as a mature modern woman who had chosen the religious life with a "complete understanding" of both erotic and spiritual desire. How did this engaging character and her cinematic sisters in later postwar popular film come to be stereotyped as girlish, incomplete, or unimportant characters? This book explores this question through a study of nun films over a sixty year period, beginning with the 1945 film The Bells of St. Mary's and concluding in 2008 with Doubt. 
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650 0 |a Nuns in motion pictures. 
650 0 |a Motion pictures  |z Great Britain  |x History. 
650 0 |a Motion pictures  |z United States  |x History. 
650 6 |a Cinéma  |z Grande-Bretagne  |x Histoire. 
650 6 |a Cinéma  |z États-Unis  |x Histoire. 
650 7 |a ART  |x Film & Video.  |2 bisacsh 
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653 |a Desire. 
653 |a Faith. 
653 |a Feminism. 
653 |a Freud. 
653 |a Gender Politics. 
653 |a Postwar Film. 
653 |a Spirituality and Sexuality. 
653 |a Twentieth-Century Religious Life and History. 
653 |a nuns. 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
776 0 8 |i Print version:  |a Sabine, Maureen.  |t Veiled desires.  |b 1st ed.  |d New York : Fordham University Press, 2013  |z 9780823251650  |w (DLC) 2012050170  |w (OCoLC)828625604 
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