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The creative process in music from Mozart to Kurtág /
Great music arouses wonder: how did the composer create such an original work of art? What was the artist's inspiration, and how did that idea become a reality? Cultural products inevitably arise from a context, a submerged landscape that is often not easily accessible. To bring such things to...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Urbana :
University of Illinois Press,
[2012]
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| Colección: | UPCC book collections on Project MUSE. Film, Theater and Performing Arts.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Kinderman, William, |e author. | |
| 245 | 1 | 4 | |a The creative process in music from Mozart to Kurtág / |c William Kinderman. |
| 264 | 1 | |a Urbana : |b University of Illinois Press, |c [2012] | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 504 | |a Includes bibliographical references (pages [197]-224) and index. | ||
| 505 | 0 | |a Introduction -- Mozart's second thoughts -- Beethoven's unfinished Piano Trio in F Minor from 1816 -- Schumann, Beethoven, and the "Distant Beloved" -- Aesthetics of integration in Mahler's Fifth Symphony -- Folklore transformed in Bartók's Dance Suite -- Kurtág's Kafka fragments and hommage à R. Sch. | |
| 588 | |a Description based on print version record. | ||
| 520 | |a Great music arouses wonder: how did the composer create such an original work of art? What was the artist's inspiration, and how did that idea become a reality? Cultural products inevitably arise from a context, a submerged landscape that is often not easily accessible. To bring such things to light, studies of the creative process find their cutting edge by probing beyond the surface, opening new perspectives on the apparently familiar. In this study, the author opens the door to the composer's workshop, investigating not just the final outcome but the process of creative endeavor in music. Focusing on the stages of composition, the author maintains that the most rigorous basis for the study of artistic creativity comes not from anecdotal or autobiographical reports, but from original handwritten sketches, drafts, revised manuscripts, and corrected proof sheets. He explores works of major composers from the eighteenth century to the present, from Mozart's piano music and Beethoven's Piano Trio in F to Kurtag's Kafka Fragments and Hommage à R. Sch. Other chapters examine Robert Schumann's Fantasie in C, Mahler's Fifth Symphony, and Bartók's Dance Suite. The author's analysis takes the form of "genetic criticism," tracing the genesis of these cultural works, exploring their aesthetic meaning, and mapping the continuity of a central European tradition that has displayed remarkable vitality for over two centuries, as accumulated legacies assumed importance for later generations. Revealing the diversity of sources, rejected passages and movements, fragmentary unfinished works, and aborted projects that were absorbed into finished compositions, this book illustrates the wealth of insight that can be gained through studying the creative process. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 7 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |2 gnd |
| 600 | 1 | 7 | |a Beethoven, Ludwig van |d 1770-1827 |2 gnd |
| 600 | 1 | 7 | |a Schumann, Robert |d 1810-1856 |t Fantasien |m Klavier |n op. 17 |r C-Dur |2 gnd |
| 600 | 1 | 7 | |a Mahler, Gustav |d 1860-1911 |t Sinfonien |n Nr. 5 |r cis-Moll |2 gnd |
| 600 | 1 | 7 | |a Bartók, Béla |d 1881-1945 |t Tánc szvit |2 gnd |
| 600 | 1 | 7 | |a Kurtág, György |d 1926- |t Kafka-Fragmente |2 gnd |
| 600 | 1 | 7 | |a Kurtág, György |d 1926- |t Hommage à R. Sch. |2 gnd |
| 600 | 1 | 7 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |2 gnd |0 (DE-601)133447332 |
| 600 | 1 | 7 | |a Beethoven, Ludwig van, |d 1770-1827. |2 gnd |0 (DE-601)133447375 |
| 600 | 1 | 7 | |a Schumann, Robert, |d 1810-1856. |2 gnd |0 (DE-601)134580575 |
| 600 | 1 | 7 | |a Mahler, Gustav, |d 1860-1911. |2 gnd |0 (DE-601)134582039 |
| 600 | 1 | 7 | |a Bartók, Béla, |d 1881-1945. |2 gnd |0 (DE-601)134590155 |
| 600 | 1 | 7 | |a Kurtág, György, |d 1926- |2 gnd |0 (DE-601)079584144 |
| 650 | 0 | |a Music |x History and criticism. | |
| 650 | 0 | |a Creation (Literary, artistic, etc.) | |
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| 650 | 7 | |a Music |2 fast | |
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| 650 | 7 | |a Komposition. |2 gnd |0 (DE-601)105681040 | |
| 650 | 7 | |a Skizze. |2 gnd |0 (DE-601)105316202 | |
| 650 | 7 | |a Thematische Arbeit. |2 gnd |0 (DE-601)516219332 | |
| 650 | 7 | |a Kreativität. |2 gnd |0 (DE-601)106259733 | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Kinderman, William. |t The creative process in music from Mozart to Kurtág. |d Urbana : University of Illinois Press, [2012] |z 9780252037160 |w (DLC) 2012024400 |
| 830 | 0 | |a UPCC book collections on Project MUSE. |p Film, Theater and Performing Arts. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.5406/j.ctt3fh3t1 |z Texto completo |
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