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The philosophy of Ang Lee /
Ang Lee has emerged as one of cinema's most versatile, critically acclaimed, and popular directors. Known for his ability to transcend cultural and stylistic boundaries, Lee has built a diverse oeuvre that includes films about culture clashes and globalization (Eat Drink Man Woman, 1994, and Th...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lexington :
University Press of Kentucky,
2013.
|
| Colección: | Philosophy of popular culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 4 | |a The philosophy of Ang Lee / |c edited by Robert Arp, Adam Barkman, and James McRae. |
| 260 | |a Lexington : |b University Press of Kentucky, |c 2013. | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 347 | |a data file | ||
| 490 | 1 | |a The Philosophy of Popular Culture | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a Ang Lee has emerged as one of cinema's most versatile, critically acclaimed, and popular directors. Known for his ability to transcend cultural and stylistic boundaries, Lee has built a diverse oeuvre that includes films about culture clashes and globalization (Eat Drink Man Woman, 1994, and The Wedding Banquet, 1993), a period drama (Sense and Sensibility, 1995), a martial arts epic (Crouching Tiger, Hidden Dragon, 2000), a comic book action movie (Hulk, 2003), and an American western (Brokeback Mountain, 2005). This book draws from both Eastern and Western traditions to examine the director's works. The first section focuses on Taoist, Confucian, and Buddhist themes in his Chinese-language films, and the second examines Western philosophies in his English-language films; but the volume ultimately explores how Lee negotiates all of these traditions, strategically selecting from each in order to creatively address key issues.--description from publisher's website. | ||
| 505 | 0 | |a Conquering the self : Daoism, Confucianism, and the price of freedom in Crouching tiger, hidden dragon / James McRae -- What do you know of my heart? The role of sense and sensibility in Ang Lee's Sense and sensibility and Crouching tiger, hidden dragon / Renée Köhler-Ryan and Sydney Palmer -- The Confucian cowboy aesthetic / Michael Thompson -- East meets western : the eastern philosophy of Ang Lee's Brokeback Mountain / Jeff Bush -- Landscape and gender in Ang Lee's Sense and sensibility and Brokeback Mountain / Misty Jameson and Patricia Brace -- Can't get no satisfaction : desires, rituals, and the search for harmony in Eat drink man woman / Carl J. Dull -- Paternalism, virtue ethics, and Ang Lee : does father really know best? / Ronda Lee Roberts -- Lust, caution : a case for perception, unimpeded / Basileios Kroustallis -- The power to go beyond God's boundaries? Hulk, human nature, and some ethical concerns thereof / Adam Barkman -- Displacement, deception, and disorder : Ang Lee's discourse of identity / Timothy M. Dale and Joseph J. Foy -- Subverting heroic violence : Ang Lee's Taking Woodstock and Hulk as antiwar narratives / David Zietsma -- Homo migrans : desexualization in Ang Lee's Taking Woodstock / Nancy Kang -- Because of the molecules : The ice storm and the philosophy of love and recognition / Susanne Schmetkamp -- It's existential : negative space and nothingness in The ice storm / David Koepsell -- The ice storm : what is impending? / George T. Hole -- All's fair in love and war? Machiavelli and Ang Lee's Ride with the devil / James Edwin Mahon. | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 600 | 1 | 0 | |a Lee, Ang, |d 1954- |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Lee, Ang, |d 1954- |2 fast |0 (OCoLC)fst00347951 |
| 600 | 1 | 7 | |a Lee, Ang |d 1954- |2 gnd |
| 630 | 0 | 7 | |a Bibel |p Philemonbrief |2 gnd |
| 650 | 0 | |a Philosophy in motion pictures. | |
| 650 | 6 | |a Philosophie au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 650 | 7 | |a PHILOSOPHY |x General. |2 bisacsh | |
| 650 | 7 | |a Philosophy in motion pictures. |2 fast |0 (OCoLC)fst01060838 | |
| 650 | 7 | |a Philosophie |2 gnd | |
| 651 | 7 | |a Taiwan. |2 gtt | |
| 650 | 7 | |a Film. |2 sao | |
| 650 | 7 | |a Film |x sociala aspekter. |2 sao | |
| 650 | 7 | |a Filmregissörer. |2 sao | |
| 650 | 7 | |a Filmsociologi. |2 sao | |
| 650 | 7 | |a Performing Arts. |2 ukslc | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Arp, Robert, |e editor. | |
| 700 | 1 | |a Barkman, Adam, |d 1979- |e editor. | |
| 700 | 1 | |a McRae, James, |d 1976- |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Philosophy of Ang Lee. |d Lexington : University Press of Kentucky, 2013 |z 9780813141664 |w (DLC) 2012050799 |w (OCoLC)818735086 |
| 830 | 0 | |a Philosophy of popular culture. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt2jcr7g |z Texto completo |
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