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How did poetry survive? : the making of modern American verse /

How Did Poetry Survive? traces the emergence of modern American poetry at the turn of the nineteenth century. American poetry had stalled: a small group of recently deceased New England poets still held sway, and few outlets existed for living poets. However, the United States' quickly accelera...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Newcomb, John Timberman
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2012]
Colección:UPCC book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Newcomb, John Timberman. 
245 1 0 |a How did poetry survive? :  |b the making of modern American verse /  |c John Timberman Newcomb. 
246 3 0 |a Making of modern American verse 
264 1 |a Urbana :  |b University of Illinois Press,  |c [2012] 
264 4 |c ©2012 
300 |a 1 online resource 
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504 |a Includes bibliographical references (pages [303]-326) and index. 
505 0 |a Introduction. A modernism of the city -- Inventing the new verse -- American poetry on the brink, 1905-1912 -- Poetry's opening door : Harriet Monroe and American modernism -- Young, blithe, and whimsical : the avant-gardism of the masses -- There is always others : experimental verse and "ulterior social result" -- Volunteers of America, 1917 : the seven arts and the Great War -- Keys to the city -- Gutter and skyline : the new verse and the metropolitan cityscape -- Footprints of the 20th century : American skyscrapers, modern poems -- Subway fare : toward a poetics of rapid transit. 
588 |a Description based on print version record. 
520 |a How Did Poetry Survive? traces the emergence of modern American poetry at the turn of the nineteenth century. American poetry had stalled: a small group of recently deceased New England poets still held sway, and few outlets existed for living poets. However, the United States' quickly accelerating urbanization in the early twentieth century opened new opportunities, as it allowed the rise of publications focused on promoting the work of living writers of all kinds. The urban scene also influenced the work of poets, shifting away from traditional subjects and forms to reflect the rise of buildings and the increasingly busy bustle of the city. Change was everywhere: new forms of architecture and transportation, new immigrants, new professions, new tastes, new worries. This urbanized world called for a new poetry, and a group of new magazines entirely or chiefly devoted to exploring modern themes and forms led the way. Avant-garde "little magazines" succeeded not by ignoring or rejecting the busy commercial world that surrounded them, but by adapting its technologies of production and strategies of marketing for their own purposes. 
526 |a 1830038  |x Grado en Estudios Ingleses  |z Poesía en Lengua Inglesa I. 
546 |a English. 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
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650 0 |a Modernism (Literature)  |z United States. 
650 0 |a Poetry  |x Authorship  |x Psychological aspects. 
650 0 |a Poets, American  |y 20th century  |x Psychology. 
650 0 |a Social change in literature. 
650 0 |a Social conflict in literature. 
650 0 |a City and town life in literature. 
650 0 |a Technology in literature. 
650 6 |a Poésie américaine  |y 20e siècle  |x Histoire et critique. 
650 6 |a Modernisme (Littérature)  |z États-Unis. 
650 6 |a Poésie  |x Art d'écrire  |x Aspect psychologique. 
650 6 |a Poètes américains  |y 20e siècle  |x Psychologie. 
650 6 |a Changement social dans la littérature. 
650 6 |a Vie urbaine dans la littérature. 
650 6 |a Technologie dans la littérature. 
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650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
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