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Theoretical-practical elements of music, parts III and IV /

A virtuoso violinist, conductor, composer, and a professor of mathematics and botany, Francesco Galeazzi (1758- 1819) firmly believed that musical education should be clear, demonstrable, and practical. In 1791 and 1796, he published the two volumes of his Elementi teorico-practici di musica, a trea...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Galeazzi, Francesco, 1758-1819
Otros Autores: Burton, Deborah, 1954-, Harwood, Gregory W.
Formato: Electrónico eBook
Idioma:Inglés
Italiano
Publicado: Urbana : University of Illinois Press, ©2012.
Colección:Studies in the history of music theory and literature ; v. 5.
Temas:
Acceso en línea:Texto completo

MARC

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240 1 0 |a Elementi teorico-pratici di musica.  |n Pt. 3-4.  |l English 
245 1 0 |a Theoretical-practical elements of music, parts III and IV /  |c Francesco Galeazzi ; a translation of Elementi teorico-pratici di musica, with an introduction and annotations by Deborah Burton and Gregory W. Harwood. 
260 |a Urbana :  |b University of Illinois Press,  |c ©2012. 
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504 |a Includes bibliographical references and index. 
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546 |a Translated from the Italian. 
505 0 |a The Life of Francesco Galeazzi -- The theoretical-practical elements of music : Galeazzi's activities as a writer and composer -- Writings and compositions by Francesco Galeazzi -- Theory of the principles of ancient and modern music -- On the elements of counterpoint. 
520 |a A virtuoso violinist, conductor, composer, and a professor of mathematics and botany, Francesco Galeazzi (1758- 1819) firmly believed that musical education should be clear, demonstrable, and practical. In 1791 and 1796, he published the two volumes of his Elementi teorico-practici di musica, a treatise that demonstrated both his thorough grounding in the work of earlier theorists and his own approach to musical study. The first volume gave precise instructions on the violin and how to play it; the second demonstrated his command of other instruments and genres and provided comprehensive introductions to music theory, music history, and music aesthetics. The treatise also addresses the nature of compositional process and eighteenth-century concerns about natural and acquired talent and creativity._x000B_ 
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650 0 |a Music theory  |v Early works to 1800. 
650 6 |a Théorie musicale  |v Ouvrages avant 1800. 
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