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The persistence of sentiment : display and feeling in popular music of the 1970s /
How can we account for the persistent appeal of glossy commercial pop music? Why do certain performers have such emotional power, even though their music is considered vulgar or second rate? The author gives a critical account of a group of American popular music performers who have dedicated fan ba...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkerley :
University of California Press,
©2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Morris, Mitchell, |d 1961- | |
| 245 | 1 | 4 | |a The persistence of sentiment : |b display and feeling in popular music of the 1970s / |c Mitchell Morris. |
| 260 | |a Berkerley : |b University of California Press, |c ©2013. | ||
| 300 | |a 1 online resource (248 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 231-239) and index. | ||
| 505 | 0 | |a Introduction -- Black masculinity and the sound of wealth : Barry White in the early 1970s -- Transport and interiority in soft soul -- The audience and Barry Manilow -- The voice of Karen Carpenter -- Cher's "dark ladies" : Showbiz liberation -- Crossing over with Dolly Parton. | |
| 520 | |a How can we account for the persistent appeal of glossy commercial pop music? Why do certain performers have such emotional power, even though their music is considered vulgar or second rate? The author gives a critical account of a group of American popular music performers who have dedicated fan bases and considerable commercial success despite the critical disdain they have endured. This book examines the specific musical features of some exemplary pop songs and draws attention to the social contexts that contributed to their popularity. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
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| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Popular music |z United States |y 1971-1980 |x History and criticism. | |
| 650 | 0 | |a Singers |z United States. | |
| 650 | 6 | |a Musique populaire |z États-Unis |y 1971-1980 |x Histoire et critique. | |
| 650 | 6 | |a Chanteurs |z États-Unis. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Pop Vocal. |2 bisacsh | |
| 650 | 7 | |a Popular music |2 fast | |
| 650 | 7 | |a Singers |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 648 | 7 | |a 1971 - 1980 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Morris, Mitchell. |t Persistence of Sentiment : Display and Feeling in Popular Music of the 1970s. |d Berkerley : University of California Press, ©2013 |z 9780520242852 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.1525/j.ctt2jcbdh |z Texto completo |
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