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3-D revolution : the history of modern stereoscopic cinema /
Stereoscopic cinema began in the early 19th century and exploded in the 1950s in Hollywood. Its status as an enduring genre was confirmed in 2009 by the success of 3-D movie 'Avatar'.
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lexington :
University Press of Kentucky,
2012.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Front Cover; Frontispiece; Title Page; Copyright Page; Contents; Prologue: The Epochs of 3-D; Part i: The Era of Convergence, 1952-1985; Chapter 1: Bwana Devil; Chapter 2: Dual-Band Cameras; Chapter 3: Converging in Time; Chapter 4: Deep Black and White; Chapter 5: 3-D Filmmakers and the Critics; Chapter 6: Wider, Not Deeper; Chapter 7: Single-Strip 3-D Systems; Chapter 8: The Porno Boys; Chapter 9: 1980s 3-D Films; Chapter 10: 3-D at Home; Part II: The Immersive Age, 1986-2005; Chapter 11: 4-D and the Ride Film; Chapter 12: Creating 3-D for Theme Parks; Chapter 13: The World of IMAX 3-D.
- Chapter 14: A Large-Format 3-D JouneyChapter 15: Stereoscopic Outer Space; Chapter 16: Big-Screen 3-D Dinosaurs; Chapter 17: Large-Format Stereo Conversion; Chapter 18: Speeding into 3-D; Chapter 19: Riding on Digits; Chapter 20: The Polar Express in IMAX 3-D; Part III: Digital 3-D Cinema, 2005-2009; Chapter 21: Two Anaglyph Movies; Chapter 22: Threshold of the Future; Chapter 23: Digital 3-D Cinema Begins; Chapter 24: Meet the Robinsons; Chapter 25: Rebuilding the Z-axis; Chapter 26: Digital Live Action 3-D; Chapter 27: Aliens and Superpowers; Chapter 28: Immersed in Coraline.
- Chapter 29: Two 3-D FIlms by Robert ZemeckisChapter 30: Digital 3-D Horrors; Chapter 31: Perceptual Paradoxes; Chapter 32: Cute and Fuzzy Dinosaurs; Chapter 33: An Interview with Rob Engle; Chapter 34: Brave New 3-D World; Epilogue: Now Is the Time; Acknowledgments; Notes; Index.