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3-D revolution : the history of modern stereoscopic cinema /
Stereoscopic cinema began in the early 19th century and exploded in the 1950s in Hollywood. Its status as an enduring genre was confirmed in 2009 by the success of 3-D movie 'Avatar'.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lexington :
University Press of Kentucky,
2012.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 1 | 0 | |a 3-D revolution : |b the history of modern stereoscopic cinema / |c Ray Zone. |
| 246 | 3 | |a Three-D revolution | |
| 260 | |a Lexington : |b University Press of Kentucky, |c 2012. | ||
| 300 | |a 1 online resource (vi, 441 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a Stereoscopic cinema began in the early 19th century and exploded in the 1950s in Hollywood. Its status as an enduring genre was confirmed in 2009 by the success of 3-D movie 'Avatar'. | |
| 505 | 0 | |a Front Cover; Frontispiece; Title Page; Copyright Page; Contents; Prologue: The Epochs of 3-D; Part i: The Era of Convergence, 1952-1985; Chapter 1: Bwana Devil; Chapter 2: Dual-Band Cameras; Chapter 3: Converging in Time; Chapter 4: Deep Black and White; Chapter 5: 3-D Filmmakers and the Critics; Chapter 6: Wider, Not Deeper; Chapter 7: Single-Strip 3-D Systems; Chapter 8: The Porno Boys; Chapter 9: 1980s 3-D Films; Chapter 10: 3-D at Home; Part II: The Immersive Age, 1986-2005; Chapter 11: 4-D and the Ride Film; Chapter 12: Creating 3-D for Theme Parks; Chapter 13: The World of IMAX 3-D. | |
| 505 | 8 | |a Chapter 14: A Large-Format 3-D JouneyChapter 15: Stereoscopic Outer Space; Chapter 16: Big-Screen 3-D Dinosaurs; Chapter 17: Large-Format Stereo Conversion; Chapter 18: Speeding into 3-D; Chapter 19: Riding on Digits; Chapter 20: The Polar Express in IMAX 3-D; Part III: Digital 3-D Cinema, 2005-2009; Chapter 21: Two Anaglyph Movies; Chapter 22: Threshold of the Future; Chapter 23: Digital 3-D Cinema Begins; Chapter 24: Meet the Robinsons; Chapter 25: Rebuilding the Z-axis; Chapter 26: Digital Live Action 3-D; Chapter 27: Aliens and Superpowers; Chapter 28: Immersed in Coraline. | |
| 505 | 8 | |a Chapter 29: Two 3-D FIlms by Robert ZemeckisChapter 30: Digital 3-D Horrors; Chapter 31: Perceptual Paradoxes; Chapter 32: Cute and Fuzzy Dinosaurs; Chapter 33: An Interview with Rob Engle; Chapter 34: Brave New 3-D World; Epilogue: Now Is the Time; Acknowledgments; Notes; Index. | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
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| 650 | 0 | |a Digital cinematography. | |
| 650 | 0 | |a Three-dimensional imaging. | |
| 650 | 0 | |a 3-D films |x History. | |
| 650 | 6 | |a Cinéma numérique. | |
| 650 | 6 | |a Imagerie tridimensionnelle. | |
| 650 | 6 | |a Films en 3D |x Histoire. | |
| 650 | 7 | |a three-dimensional. |2 aat | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Techniques |x Cinematography & Videography. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a 3-D films. |2 fast |0 (OCoLC)fst00793701 | |
| 650 | 7 | |a Digital cinematography. |2 fast |0 (OCoLC)fst00893633 | |
| 650 | 7 | |a Three-dimensional imaging. |2 fast |0 (OCoLC)fst01150331 | |
| 653 | |a Multi-User. | ||
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |z 9780813136110 |z 0813136113 |w (DLC) 2012009813 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt2jcscv |z Texto completo |
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