|
|
|
|
| LEADER |
00000cam a2200000Ma 4500 |
| 001 |
JSTOR_ocn835763896 |
| 003 |
OCoLC |
| 005 |
20231005004200.0 |
| 006 |
m o d |
| 007 |
cr |||||||nn|n |
| 008 |
090817s2010 miu obd 001 0 eng d |
| 010 |
|
|
|z 2009033201
|
| 040 |
|
|
|a CN8ML
|b eng
|e pn
|c CN8ML
|d OCLCO
|d N$T
|d P@U
|d OCLCF
|d YDXCP
|d OCLCQ
|d JSTOR
|d OCLCQ
|d AGLDB
|d OCLCQ
|d CUS
|d IOG
|d M8D
|d EZ9
|d OCLCA
|d TXC
|d REC
|d AU@
|d LVT
|d K6U
|d UNOMP
|d AUD
|d OCLCO
|d OCLCQ
|d OCLCO
|
| 019 |
|
|
|a 1054118975
|a 1058571402
|a 1164786572
|
| 020 |
|
|
|a 9780472029006
|q (electronic bk.)
|
| 020 |
|
|
|a 0472029002
|q (electronic bk.)
|
| 020 |
|
|
|z 9780472117185
|q (cloth ;
|q alk. paper)
|
| 020 |
|
|
|z 0472117181
|q (cloth ;
|q alk. paper)
|
| 020 |
|
|
|z 9780472035205
|
| 024 |
7 |
|
|a 10.3998/mpub.359575
|2 doi
|
| 029 |
1 |
|
|a DEBBG
|b BV043071178
|
| 029 |
1 |
|
|a DEBSZ
|b 421398973
|
| 029 |
1 |
|
|a GBVCP
|b 1003728545
|
| 029 |
1 |
|
|a AU@
|b 000054193248
|
| 029 |
1 |
|
|a AU@
|b 000074160233
|
| 035 |
|
|
|a (OCoLC)835763896
|z (OCoLC)1054118975
|z (OCoLC)1058571402
|z (OCoLC)1164786572
|
| 037 |
|
|
|b PROJMUSE
|c CostPaid
|f FormOnline
|g AccessRestricted
|n GovNo
|
| 050 |
|
4 |
|a PN2193.E86
|b H37 2010
|
| 072 |
|
7 |
|a PER
|x 011040
|2 bisacsh
|
| 072 |
|
7 |
|a PER011020
|2 bisacsh
|
| 072 |
|
7 |
|a PER000000
|2 bisacsh
|
| 072 |
|
7 |
|a SOC010000
|2 bisacsh
|
| 082 |
0 |
4 |
|a 792.02/2
|2 22
|
| 049 |
|
|
|a UAMI
|
| 100 |
1 |
|
|a Harding, James Martin,
|d 1958-
|e author.
|
| 245 |
1 |
0 |
|a Cutting performances :
|b collage events, feminist artists, and the American avant-garde /
|c James M. Harding.
|
| 260 |
|
|
|a Ann Arbor :
|b University of Michigan Press,
|c ©2010.
|
| 300 |
|
|
|a 1 online resource (ix, 222 pages).
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 347 |
|
|
|a data file
|2 rda
|
| 380 |
|
|
|a Dictionary
|
| 490 |
1 |
|
|a Theater : theory/text/performance
|
| 504 |
|
|
|a Includes bibliographical references and index.
|
| 505 |
0 |
|
|a Toward a feminist historiography of American avant-garde performance: theories and contexts -- Nude descending Bleecker Street: Baroness Elsa Von Freytag-Loringhoven and performing gender in New York dada -- Avant-garde performance, collage aesthetics, and feminist historiographies in Gertrude Stein's the mother of us all -- Between material and matrix: Yoko Ono's cut piece and the unmaking of collage -- Between dialectics, decorum, and collage: sabotaging Schneemann at the Dialectics of Liberation Congress, London 1967 -- Forget fame: Valerie Solanas, the simplest surrealist act, and the (re)assertion of avant-garde priorities -- Conclusion: Collage and community.
|
| 588 |
0 |
|
|a Print version record.
|
| 590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
| 590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
| 590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
| 650 |
|
0 |
|a Feminist theater.
|
| 650 |
|
0 |
|a Experimental theater.
|
| 650 |
|
6 |
|a Théâtre féministe.
|
| 650 |
|
7 |
|a PERFORMING ARTS
|x Theater
|x Stagecraft.
|2 bisacsh
|
| 650 |
|
7 |
|a PERFORMING ARTS
|x Theater
|x History & Criticism.
|2 bisacsh
|
| 650 |
|
7 |
|a Experimental theater
|2 fast
|
| 650 |
|
7 |
|a Feminist theater
|2 fast
|
| 653 |
|
|
|a Multi-User.
|
| 655 |
|
4 |
|a Electronic books.
|
| 776 |
0 |
8 |
|i Print version:
|a Harding, James Martin, 1958-
|t Cutting performances.
|d Ann Arbor : University of Michigan Press, ©2010
|w (DLC) 2009033201
|
| 830 |
|
0 |
|a Theater--theory/text/performance.
|
| 856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.3998/mpub.359575
|z Texto completo
|
| 938 |
|
|
|a University of Michigan press
|b UOMP
|n 10.3998/mpub.359575
|
| 938 |
|
|
|a EBSCOhost
|b EBSC
|n 466357
|
| 938 |
|
|
|a Project MUSE
|b MUSE
|n muse21205
|
| 938 |
|
|
|a YBP Library Services
|b YANK
|n 9009553
|
| 994 |
|
|
|a 92
|b IZTAP
|
