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|2 23
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|a UAMI
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|a Conflict and development in Iranian film /
|c A.A. Seyed-Gohrab & K. Talattof (eds.).
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|a [Leiden?] :
|b Leiden University Press,
|c 2013.
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|a 1 online resource (150 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a online resource
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|a Iranian studies series
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|a Includes bibliographical references and index.
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|a Online resource; title from PDF title page (Ebrary, viewed September 26, 2013).
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|g Machine generated contents note:
|t Politics and Persistence: The Development of Iranian Film /
|r Kamran Talattof --
|t Sound of Frogs at Night: Kiarostami's Philosophy of Cinema /
|r Yasco Horsman --
|t Sexuality and Cultural Change: The Presentation of Sex and Gender in Pre- and Post-revolutionary Iranian Cinema /
|r Kamran Talattof --
|t Kiarostami's Cinematic Poetry in Where is the Friend's Home? and The Wind will Carry Us /
|r Farzana Marie Dyrud --
|t Which Half is Hidden? The Public or the Private: An Analysis of Milani's The Hidden Half /
|r Julie Ellison --
|t Abbas Kiarostami and the Aesthetics of Ghazal /
|r Khatereh Sheibani --
|t Contemporary Liminal Encounters: Moving Beyond Traditional Plots in Majidi's Baran /
|r Omid Tofighian --
|t Virtuous Heroines: A Mythical Reading of Female Protagonists in Contemporary Iranian Television Serials /
|r Niloofar Niknam --
|t Marziyeh Meshkini's The Day I Became a Woman /
|r Asghar Seyed-Gohrab.
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|a English.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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650 |
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|a Motion pictures
|z Iran.
|
650 |
|
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|a Cinéma
|z Iran.
|
650 |
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a ART / General
|2 bisacsh
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|a Motion pictures
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|a Iran
|2 fast
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|a Seyed-Gohrab, A. A.
|q (Ali Asghar),
|d 1968-
|e editor.
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1 |
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|a Talattof, Kamran,
|e editor.
|
776 |
0 |
8 |
|i Print version:
|t Conflict and development in Iranian film.
|d Leiden : Leiden University Press c2013
|z 9789087281694
|w (OCoLC)794706999
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830 |
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|a Iranian studies series (Leiden, Netherlands)
|
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|u https://jstor.uam.elogim.com/stable/10.2307/jj.2960285
|z Texto completo
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