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Trash : African cinema from below /
Highlighting what is melodramatic, flashy, low, and gritty in the characters, images, and plots of African cinema, the author uses trash as the unlikely metaphor to show how these films have depicted the globalized world. Rather than focusing on topics such as national liberation and postcolonialism...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington :
Indiana University Press,
2013.
|
| Colección: | UPCC book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Harrow, Kenneth W. | |
| 245 | 1 | 0 | |a Trash : |b African cinema from below / |c Kenneth W. Harrow. |
| 260 | |a Bloomington : |b Indiana University Press, |c 2013. | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Bataille, Stam, and locations of trash -- Rancière : aesthetics, its mésententes and discontents -- The out-of-place scene of trash -- Globalization's dumping ground: the case of Trafigura -- Agency and the mosquito : Mitchell and Chakrabarty -- Trashy women : Karmen Gei, L'Oiseau Rebelle -- Trashy women, fallen men : Fanta Nacro's "Puk Nini" and La nuit de la vérité -- Opening the distribution of the sensible : Kimberly Rivers and Trouble the water -- Abderrahmane Sissako's Bamako and the image : trash in its materiality -- The counter-archive for a new postcolonial order : O Herói and Daratt -- Nollywood and its masks : Fela, Osuofia in London, and Butler's Assujetissement -- Trash's last leaves : Nollywood, Nollywood, Nollywood. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Highlighting what is melodramatic, flashy, low, and gritty in the characters, images, and plots of African cinema, the author uses trash as the unlikely metaphor to show how these films have depicted the globalized world. Rather than focusing on topics such as national liberation and postcolonialism, he employs the disruptive notion of trash to propose a destabilizing aesthetics of African cinema. The book argues that the spread of commodity capitalism has bred a culture of materiality and waste that now pervades African film. He posits that a view from below permits a way to understand the tropes of trash present in African cinematic imagery. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Refuse and refuse disposal in motion pictures. | |
| 650 | 0 | |a Motion pictures |z Africa. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Refuse and refuse disposal in motion pictures |2 fast | |
| 651 | 7 | |a Africa |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Harrow, Kenneth W. |t Trash. |d Bloomington : Indiana University Press, 2013 |z 9780253007445 |w (DLC) 2012037383 |w (OCoLC)810039784 |
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