Money, trains, and guillotines : art and revolution in 1960s Japan /

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During the 1960s, a group of artists challenged the status quo in Japan through interventionist art. William Mariotti situates the artists in relation to postwar Japan and the international activism of the 1960s.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Marotti, William A. (William Arthur) (Autor)
Formato: Documento de Gobierno Electrónico eBook
Idioma:Inglés
Publicado: Durham and London : Duke University Press, 2013.
Colección:Asia-Pacific.
Temas:
1900-1999
Arts, Japanese > 20th century.
Arts > Political aspects > Japan > History > 20th century.
Arts and society > Japan > History > 20th century.
Avant-garde (Aesthetics) > Japan > History > 20th century.
Politics and culture > Japan.
Arts japonais > 20e siècle.
Arts > Aspect politique > Japon > Histoire > 20e siècle.
Arts et société > Japon > Histoire > 20e siècle.
Politique et culture > Japon.
ART > Asian.
ART > History > Contemporary (1945- )
Art and Design.
Arts and society
Arts, Japanese
Arts > Political aspects
Avant-garde (Aesthetics)
Politics and culture
Kunst
Japan
Electronic books.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Part I. Art against the Police: Akasegawa Genpei's 1,000-Yen Prints, the State, and the Borders of the Everyday. The Vision of the Police
  • The Occupation, the New Emperor System, and the Figure of Japan
  • The Process of Art
  • Part II. Artistic Practice Finds Its Object: The Avant-Garde and the Yomiuri Indépendant
  • The Yomiuri Indépendant: Making and Displacing History
  • The Yomiuri Anpan
  • Part III. Theorizing Art and Revolution.
  • Beyond the Guillotine: Speaking of Art/ Art Speaking
  • Naming the Real
  • The Moment of the Avant-Garde.

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