Singing the self : guitar poetry, community, and identity in the post-Stalin period /

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"This book is a study of a Soviet cultural phenomenon of the 1960s and 70s known as guitar poetry - songs accompanied by guitar and considered poetry in much the same way as those of, for example, Bob Dylan. Platonov's is the most comprehensive book in English to date to analyze guitar poe...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Platonov, Rachel S.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Evanston, Ill. : Northwestern University Press, 2012.
Colección:Studies in Russian literature and theory.
Temas:
1900-1999
Songs, Russian > 20th century > History and criticism.
Marginality, Social > Soviet Union.
Popular music > Social aspects > Soviet Union > History and criticism.
Chansons russes > 20e siècle > Histoire et critique.
Musique populaire > Aspect social > URSS > Histoire et critique.
LITERARY CRITICISM > General.
Marginality, Social.
Popular music > Social aspects.
Songs, Russian.
Music History & Criticism, Popular - Jazz, Rock, etc.
Music, Dance, Drama & Film.
Music.
Soviet Union.
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Contexts Beyond the Soviet sixties: the origins and contexts of guitar poetry
  • Gray zones: theories of marginality in a Russian-Soviet context
  • Guitar poetry's selves and communities
  • Guitar poetry and the creation of lichnost'
  • The "KSP state": audience reception, self-fashioning, and "conversations between friends"
  • Lyrical marginalities and beyond
  • Overt marginality: antisovetchina
  • Covert marginality: the significance of insignificance
  • Genre-bending and "hypergenericity."

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