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Isaac Babel and the self-invention of Odessan modernism /

"In what marks an exciting new critical direction, Rebecca Stanton contends that the city of Odessa - as a canonical literary image and as a kaleidoscopic cultural milieu - shaped the narrative strategies developed by Isaac Babel and his contemporaries of the Revolutionary generation. Modeling...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Stanton, Rebecca Jane, 1972-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Evanston, Ill. : Northwestern University Press, 2012.
Colección:Studies in Russian literature and theory.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Isaac Babel and the self-invention of Odessan modernism /  |c Rebecca Jane Stanton. 
260 |a Evanston, Ill. :  |b Northwestern University Press,  |c 2012. 
300 |a 1 online resource. 
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490 1 |a Northwestern University Press Studies in Russian literature and theory 
505 0 |a Introduction: stories that come true -- City through the looking-glass: literary Odessa -- Isaac Babel: stories that lie like truth -- Babel's bildungsroman and Odessan modernism -- Reinventing the self: Valentin Kataev and Yury Olesha -- Conclusion: the Odessan self. 
520 |a "In what marks an exciting new critical direction, Rebecca Stanton contends that the city of Odessa - as a canonical literary image and as a kaleidoscopic cultural milieu - shaped the narrative strategies developed by Isaac Babel and his contemporaries of the Revolutionary generation. Modeling themselves on the tricksters and rogues of Odessa lore, Babel and his fellow Odessans Valentin Kataev and Yury Olesha manipulated their literary personae through complex, playful, and often subversive negotiations of the boundary between autobiography and fiction. In so doing, they cannily took up a place prepared for them in the Russian canon and fostered modes of storytelling that both reflected and resisted the aesthetics of Socialist Realism. Stanton concludes with a rereading of Babel's "autobiographical" stories and examines their legacy in post-Thaw works by Kataev, Olesha, and Konstantin Paustovsky."--Project Muse. 
504 |a Includes bibliographical references and index. 
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600 1 0 |a Kataev, Valentin,  |d 1897-1986  |x Criticism and interpretation. 
600 1 0 |a Babelʹ, I.  |q (Isaak),  |d 1894-1940  |x Criticism and interpretation. 
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600 1 7 |a Kataev, Valentin,  |d 1897-1986  |2 fast 
600 1 7 |a Olesha, I͡Uriĭ Karlovich,  |d 1899-1960  |2 fast 
650 0 |a Modernism (Literature)  |z Russia (Federation) 
650 0 |a Russian literature  |z Ukraine  |z Odesa  |x History and criticism. 
650 0 |a Russian literature  |y 20th century  |x History and criticism. 
651 0 |a Odesa (Ukraine)  |x In literature. 
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650 6 |a Littérature russe  |z Ukraine  |z Odessa  |x Histoire et critique. 
650 6 |a Littérature russe  |y 20e siècle  |x Histoire et critique. 
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651 7 |a Russia (Federation)  |2 fast 
651 7 |a Ukraine  |z Odesa  |2 fast 
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650 7 |a Slavic, Baltic and Albanian Languages & Literatures.  |2 hilcc 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Stanton, Rebecca Jane, 1972-  |t Isaac Babel and the self-invention of Odessan modernism.  |d Evanston, Ill. : Northwestern University Press, 2012  |w (DLC) 2012002271 
830 0 |a Studies in Russian literature and theory. 
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