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Experimental Latin American cinema : history and aesthetics /
This exploration of experimental Latin American film applies Deleuzian theories of cinema in a comparative approach to examine multiple genres and works from the most important national cinematic traditions.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Documento de Gobierno Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Austin :
University of Texas Press,
2013.
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| Edición: | First edition. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction : Mise-en-scene, a seemingly international staging
- A neonoir skew to the action-image. A shimmering suture : Fabián Bielinsky's epileptic El aura ; Slippery criminal pleasures : intermediality and voyeurism in Jorge Furtado's O homem que copiava ; Endless quest : chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo
- Road movies. The paradoxical effect of the documentary : Walter Salles's Central do Brasil ; Twin piques : the double discourse of Carlos Sorín's El camino de San Diego ; Orphans' solidarity : María Victoria Menis's El cielito
- Drama. Sculpting time : Inês de Oliveira Cézar's Como pasan las horas ; The past engulfs the present : Josue Mendez's Días de Santiago
- Experimental auteurism. Whether or not to end one's life : Carlos Reygadas's Japón ; Crime and self-inflicted punishment : Carlos Reygadas's Batalla en El cielo
- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society : Carlos Reygadas's Stellet licht ; Cyclical scapegoating : Inês de Oliveira Cézar's Extranjera ; The irrevocable nature of curses : Inês de Oliveira Cézar's El recuento de Los daños ; Splintered mirrors, echoes, and reverberations : Fernando Pérez Valdés's Madrigal
- Experimental pseudo-documentary. Room with a view : Fernando Pérez Valdés's Suite Habana ; Life is and is not : Paz Encina's Hamaca Paraguaya
- Conclusion : possible futures.